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Fig. 5.1: Stereo subgroup channel schematic
+ Try merging a dry signal with a little wet, then compressing the sum heavily. Though the
reverb proportion will be low when a signal is present, the resultant reverb tail pumped up by
the compressor at the start of each silence will give the illusion that the reverb was massive alt
the time. (The listener will be left wondering how the singer could sound so clear in such a wet
acoustic!)
+ EURODESK insert points are, of course, simultaneously inputs and outputs. Get them onto a
patchbay, where they can appear as independent sockets, and do away with all these fiddly
Y-leads that always seem to be the first to get knotted in the flightcase. (See section 8
Patchfield.) Now it is possible to do the following incredibly useful patch without having to
make up what would amount to a ring-to-tip, tip-to-ring stereo patch lead.