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13.START-UP .............................................................................................................................37
13.1A-channel setting up procedure..................................................................................................... 37
13.1.1Selecting inputs .................................................................................................................. 37
13.1.2Initializing channel for gain-setting....................................................................................... 37
13.1.3Auditioning a signal............................................................................................................. 37
13.2Desk/tape setting up procedures................................................................................................... 37
13.2.1Desk normalization ............................................................................................................. 37
13.2.2Multitrack initialization ........................................................................................................ 38
13.2.3Recording levels.................................................................................................................. 38
13.2.4Auditioning a mix ................................................................................................................ 38
13.2.5Mixer mapping .................................................................................................................... 38
14.8-TRACK MIDI SUITE/DANCE PRODUCTION STUDIO ...................................................38
14.1Sends ........................................................................................................................................... 39
14.2Auxless headphones mix .............................................................................................................. 39
14.3Returns ......................................................................................................................................... 40
14.4Lining up record/sample inputs...................................................................................................... 41
14.5Mixdown ....................................................................................................................................... 41
15.16-TRACK RECORDING WITH 2 SAMPLERS ...................................................................41
15.1Recording ..................................................................................................................................... 41
15.2 Headphones.................................................................................................................................. 42
15.3Mixdown ....................................................................................................................................... 42
16.PROFESSIONAL 24-TRACK STUDIO ................................................................................42
16.1Recording ..................................................................................................................................... 42
16.2Very tricky headphones................................................................................................................. 43
16.3Wet monitoring ............................................................................................................................. 44
16.4Mixdown ....................................................................................................................................... 44
17.LIVE P.A. WITH 2-TRACK RECORDING .............................................................................45
18.LIVE CONCERT WITH 24-TRACK RECORDING...............................................................46
19.EXPANDING THE EURODESK MX9000.............................................................................48
19.1Connections .................................................................................................................................. 48
19.2Alignment ..................................................................................................................................... 48
20.TIMECODE ...........................................................................................................................48
21.BOUNCING ...........................................................................................................................49
22.SEQUENCING LIVE .........................................................................................................49
23.INPUT/OUTPUT CONFIGURATION ...................................................................................50
24.MODIFICATIONS ..................................................................................................................50
24.1Aux sends > post EQ ................................................................................................................... 51
24.2MIX-B source > post fader............................................................................................................. 51
24.3LED meters > pre fader ................................................................................................................. 51
25.SPECIFICATIONS.................................................................................................................52
26.WARRANTY ...........................................................................................................................54