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Floor Monitors
QRx 112/75
• Perfect for high performance monitoring
in concert sound applications
• 12”/1.4” exit
• 300 W (long-term)
• Max. SPL 131 dB/1m (calc.)
• 55° (approx.) monitor angle
• Integrated stand mount and optional L-Track
rigging allows flexible usage
• Note: in monitor position rotate the horn with
so the 35° dispersion is pointing upwards.
•
Note: pr
ess high-pass (mid/high-mode) at
controller amp module M-112 when used on floor
FRi-28LPM
• Low profile ideal for theater front stage,
under balcony or on-wall (vertical) use
• 2x8”/1” voicecoil
• 200 W (long-term)
• Max. SPL 122 dB/1m (calc.)
• 45° monitor angle
75° x 50°
75° x 50°
Sx250/SxA250
• 350 W (longterm) / 150W + 50W powered
• 15” / 1” exit
• max. SPL 130 dB/1m
• 45° monitor angle
QRx 115/75
• Perfect for high -performance monitoring in
concer
t-sound applications
• 15”/1.4” exit
• 400 W (long-term)
• Max. SPL 110 dB/1m (calc.)
• 55° (approx.) monitor angle
• Integrated stand mount and optional L-Track
rigging allows flexible usage
• Note: in monitor position rotate the horn with
so the 35° dispersion is pointing upwards.
•
Note: pr
ess high-pass (mid/high-mode) at
controller amp module M-115 when used on floor
The following two pages give you an overview about of EV´s
pr
ofessional floor monitors. All monitors shown have opti-
mized monitor angles and, as is typical with EV, have very
low feedback properties. For technical details or information
about r
ecommended high-pass frequencies, refer to the
appropriate product pages.
100° x 100°