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HOW TO SETUPA
CONTIAIUOUS
CONTROLLER
For this example let’s walk through the steps required to create a
“wah
wah” effect using a continuous
controller pedal. Assuming you have a continuous pedal hooked up to the Tube Fex via a MIDI foot controller,
first select or write a patch that has the envelope filter (EF) effect and store it. Then push the Edit button,
select
EF
and push the
Edit
button again. Next, push the
Global
button until the following screen is displayed:
REIGV
Ch=l
CMIDII
RC
TC
TP
DP
LP DS
LS
“^
Move the cursor under
RC
and use the
V
and
A
buttons to select channel
1.
For this example we will assume
your foot controller has channel 7 as a continuous channel send. Next push the Global button until the
following screen is displayed:
Et#.JFLT
Frvi
CCHTRLI
#I
Pram
C#
Ch
SC
-
Move the cursor under Pram and use the
7
and A buttons to select Freq. Next move the cursor under
C#
and select
Cntrl#=7.
Next move the cursor under Ch and select RCV. Next move the cursor under SC and
select
+lOO.
It is
impor&nt
to note that the scale can be set from HO0 allowing normal or reverse wah
wall
effects. You can set the scale anywhere in between to adjust the effect to your tastes. Next press the
Edit
button
and move the cursor under
Sn
and select a sensitivity level. Try
+48
to start. Next move the cursor under
Fq
and select a frequency, try
50.
Next move the cursor under Rs and set the resonance, try 52. Next move the
cursor under
Ty
to select a filter, try
LP-Slo.
Next move the cursor under
Mx
and try a mix level of 50%. Now
work the continuous controller pedal to try the effect. Adjust the envelope filter parameters and the scale to
suit your taste. Press the Store button to save the settings and continuous controller to your preset.
Note:
If you get volume control instead of wah wah, push the Global button until the following screen is
displayed:
VOLUME=100 CVULI
rni-di:Ot4
#7
SC=+54
Move the cursor under
midi
and change the setting to
OFF.
Now try your effect.
You
can also use the
4-band
parametric EQ to create this effect.
26
Chapter 4
Using MIDI