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When Knob [1] Wave: Noise,
and Knob [2] OSC1 Mod:
Waveform
Knob [3] Control1:
Resonance
[000…127]
Adjusts the amount of resonance of the fil-
ter provided within the noise oscillator.
Higher values will emphasize the fre-
quency points for the pitched component
within the noise.
Knob [4] Control2: LPF/HPF Mix
[LPF63…CNT…HPF63]
Adjusts the mix balance between the low-
pass and high-pass filters; this will vary the
brightness of the sound.
When Knob [1] Wave: DWGS
and Knob [2] OSC1 Mod:
Waveform
Knob [3] Control1: ---
has no effect
Knob [4] Control2:
Wave Select
[001…64]
Selects the DWGS waveform.
No. Name No. Name No. Name
1 SynSine1 22 Digi2 43 E.Bass2
2 SynSine2 23 Digi3 44 E.Bass3
3 SynSine3 24 Digi4 45 Bell1
4 SynSine4 25 Digi5 46 Bell2
5 SynSine5 26 Digi6 47 Bell3
6 SynSine6 27 Digi7 48 Endless*
7 SynSine7 28 Digi8 49 SynVox1
8 SynWave1 29 Digi9 50 SynVox2
9 SynWave2 30 E.Piano1 51 VoxPad1
10 SynWave3 31 E.Piano2 52 VoxPad2
11 SynWave4 32 E.Piano3 53 VoxPad3
12 SynWave5 33 Organ1 54 FlutePad
13 SynWave6 34 Organ2 55 EP Pad1
14 SynWave7 35 Organ3 56 EP Pad2
15 SynWire1 36 Organ4 57 Noise1
16 SynWire2 37 Organ5 58 Noise2
17 SynWire3 38 Clav1 59 Noise3
18 SynWire4 39 Clav2 60 Noise4
19 5thSaw 40 Guitar1 61 Noise5
20 5thSqu 41 Guitar2 62 Noise6
21 Digi1 42 E.Bass1 63 Noise7
64 Noise8
5. OSC1 (Oscillator 1)
When Knob [1] Wave: Saw, Pulse,
Triangle, Sine
and Knob [2] OSC1 Mod: Waveform
Knob [3] Control1: Waveform [000…127]
Knob [1] Wave: Saw
The sawtooth wave is appropriate for cre-
ating a wide range of sounds typical of ana-
log synthesizers, including basses and pads.
Adjusting the value will modify the shape
of the waveform, changing the harmonic
content. A setting of 000 produces the origi-
nal sawtooth wave. Higher setting stress
different harmonics; a setting of 127 pro-
duces a sawtooth wave one octave higher.
000
063
127
Knob [1] Wave: Pulse
This is a pulse wave suitable for electronic
sounds and wind instruments. By adjust-
ing the pulse width you can produce
sounds reminiscent of clavi or sax. A set-
ting of 000 produces a simple square wave.
Higher settings narrow the pulse width,
and at a setting of 127, the pulse width will
disappear completely (no sound).
000 063 127
Knob [1] Wave: Triangle
Triangle waves have fewer overtones than
sawtooth or square waves, and are suitable
for mild tone such as bass or pads. Adjust-
ing the value will modify the shape of the
waveform, changing the harmonic content.
A setting of 000 produces a simple triangle
wave.
Higher setting stress different har-
monics; a
setting of 127 produces a triangle
wave that is one octave and a fifth higher
(i.e., the third harmonic).
000
063
127
Knob [1] Wave: Sine
Sine wave is a mild tone that contains only
the fundamental frequency with no over-
tones. A setting of 000 produces a simple
sine wave. Increasing this value will
modify the waveform, changing the over-
tone structure as shown below.
000
063
127
Knob [4] Control2: LFO1 Intensity
[000…127]
LFO1 will vary the “OSC1Ctr1” effect
(Waveform Modulation.) “OSC1Ctr2” ad-
justs the depth of this change.
When Knob [1] Wave: Formant
and Knob [2] OSC1 Mod:
Waveform
Knob [3] Control1: Formant Width
[000…127]
The formant waveform has a tonal charac-
ter reminiscent of a human voice. This
knob will adjust the frequency components
that are characteristic of vocal formants.
This is equivalent to changing the shape
of your mouth (i.e., changing the vowel
sound).
Knob [4] Control2:
Formant Shift [–63…+63]
Moves the entire formant frequency spec-
trum upward or downward. This is equiva-
lent to changing the size of your mouth.
With a setting of 0, the formant locations
are unchanged.
*: The 48: Endless waveform simulates the “in-
finite staircase” sound which produces the
same perceived pitch in each different octave.
The “infinite staircase” produces the sensa-
tion that you never get any higher, no matter
how long you continue playing the notes C,
D, E, F, G, A, B, C, D, E, ? upward.
When Knob [1] Wave: AudioIn
and Knob [2] OSC1 Mod”
Waveform
Knob [3] Control1: Gain [–63…+63]
Adjusts the volume of the audio input.
Knob [4] Control2: Balance
[L63…CNT…R63]
Sets the balance between the L channel
([AUDIO INPUT 1]) and R channel ([AU-
DIO INPUT 2]) jacks.
For details on how to processing an exter-
nal audio signal, refer to “Processing an ex-
ternal audio signal”(☞p.29).
When Knob [1] Wave: Saw, Pulse,
Triangle, Sine
and Knob [2] OSC1 Mod: Cross
Knob [3] Control1:
Modulation Depth
[000…127]
Adjusts the cross modulation depth.
Knob [4] Control2: LFO 1 Intensity
[000…127]
Adjusts the depth of the additional modu-
lation applied by LFO1 to the cross modu-
lation effect.
When Knob [1] Wave: Saw, Pulse,
Triangle, Sine
and Knob [2] OSC1 Mod: Unison
Knob [3] Control1: Detune [000…127]
Adjusts the difference in pitch between the
five unison oscillators. Higher values will