26
EXTERNAL
INPUT
MIX-B
OUTPUT
1
AUX SEND
1
R
L
2
2
R
R
3
3
R
L
4
4
R
R
5
5
R
L
6
6
R
R
L
7
L
L
L
R
8
R
R
R
SUBMASTER INSERT
AUX RETURN
CNTRL
RM OUTPUT
STUDIO
OUTPUT
MAIN MIX
MAIN
INSERTS
2-TRACK
INPUT
123456
PHONES
12
MONO
L
MONO
L
MONO
L
MONO
L
MONO
L
MONO
L
MONO MONO
LINE
IN
DIRECT
OUT
INSERT
BAL/UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
PHANTOM
CHANNEL
16
BAL/UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
CHANNEL
12
BAL/UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
BAL/UNBAL
TIP = OUT
RING = IN
MIC
LINE
MIC
LINE
MIC
LINE
MIC
LINE
LINE
IN
DIRECT
OUT
INSERT
CHANNEL
13
BAL/UNBAL
TIP = OUT
RING = IN
MIC
LINE
OPERATING
LEVEL CH. 17-24
TAPE RETURNS 1-8
15
13 11 9 7 5 3 1
16 14 12 10 6 4 28
17
18
19
20
21
22
23
24
TAPE RETURNS 9-16
TAPE RETURNS 17-24
OUT +4dBU
IN –10dBV
+4 / –10 BALANCED / UNBALANCED+4 / –10 BALANCED / UNBALANCED +4 / –10 BALANCED / UNBALANCED
OPERATING
LEVEL CH. 9-16
OUT +4dBU
IN –10dBV
OPERATING
LEVEL CH. 1-8
OUT +4dBU
IN –10dBV
SUBMASTER / TAPE OUTPUTS
+4dBU BALANCED / –10dBV UNBALANCED
87
15
6
14
5
13
4
12
3
11
2
10
1
9
OUT +4dBU
IN –10dBV
16
171820 1921222324
OPERATING
LEVEL
OUT +4dBU
IN –10dBV
OPERATING
LEVEL
CHANNEL
15
CHANNEL
14
To Multi-Track
(optional)
In
Power Amplifier
Control Rm Monitors
Reverb
Out
In
Out
In
Out
Keyboard, or other line level input
M
u
l
t
i
-
T
r
a
c
k
R
e
c
o
r
d
e
r
3
M
u
l
t
i
-
T
r
a
c
k
R
e
c
o
r
d
e
r
2
Or from DIRECT OUTS
of individual channels
M
u
l
t
i
-
T
r
a
c
k
R
e
c
o
r
d
e
r
1
Reverb
In
Out
Mono Compressor
TRACKING PART 1: INPUT/OUTPUT
Guitar
Effects
Box