32
EXTERNAL
INPUT
MIX-B
OUTPUT
1
AUX SEND
1
R
L
2
2
R
R
3
3
R
L
4
4
R
R
5
5
R
L
6
6
R
R
L
7
L
L
L
R
8
R
R
R
SUBMASTER INSERT
AUX RETURN
CNTRL
RM OUTPUT
STUDIO
OUTPUT
MAIN MIX
MAIN
INSERTS
2-TRACK
INPUT
123456
PHONES
12
MONO
L
MONO
L
MONO
L
MONO
L
MONO
L
MONO
L
MONO MONO
LINE
IN
DIRECT
OUT
INSERT
CHANNEL
15
BAL/UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
PHANTOM
CHANNEL
16
BAL/UNBAL
TIP = OUT
RING = IN
LINE
IN
DIRECT
OUT
INSERT
CHANNEL
10
BAL/UNBAL
TIP = OUT
RING = IN
MIC
LINE
MIC
LINE
MIC
LINE
LINE
IN
DIRECT
OUT
INSERT
CHANNEL
11
BAL/UNBAL
TIP = OUT
RING = IN
MIC
LINE
OPERATING
LEVEL CH. 17-24
15
13 11 9
16 14 12 10
17
18
19
20
21
22
23
24
TAPE RETURNS 9-16
TAPE RETURNS 17-24
OUT +4dBU
IN –10dBV
+4 / –10 BALANCED / UNBALANCED+4 / –10 BALANCED / UNBALANCED
OPERATING
LEVEL CH. 9-16
OUT +4dBU
IN –10dBV
SUBMASTER / TAPE OUTPUTS
+4dBU BALANCED / –10dBV UNBALANCED
87
15
6
14
5
13
4
12
3
11
2
10
1
9
OUT +4dBU
IN –10dBV
16
171820 1921222324
OPERATING
LEVEL
OUT +4dBU
IN –10dBV
OPERATING
LEVEL
LEFTRIGHT
MAIN BAL OUTPUTS
+28dBU MAX OUT
In
Out
In
Out
In
Out
In
Out
In
Out
Mono Compressor
Keyboard, or other line level input
In Out
Reverb
Out In
In Out
Reverb
Digital Delay
In Out
Digital Delay
Stereo Reverb
In Out
In
Power Amplifier
Control Rm Monitors
Stereo
Compressor
Out
Processor
In Out
M
u
l
t
i
-
T
r
a
c
k
R
e
c
o
r
d
e
r
2
Or from DIRECT OUTS
of individual channels
Connections same
as for Multi-Track
Recorders 2 & 3
Extra input during mixdown
M
u
l
t
i
-
T
r
a
c
k
R
e
c
o
r
d
e
r
1
M
u
l
t
i
-
T
r
a
c
k
R
e
c
o
r
d
e
r
3
DAT or
2-track
Deck
Noise Gate
In
Out
MULTITRACK MIXING PART 1: INPUT/OUTPUT