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MR-8HD/CD Owner’s Manual (Basic operations)
You can record onto any one of tracks 1 through 4. When making recording to a single track, you
can record a signal fed to the [INPUT A] channel.
The following describes the procedure for recording an acoustic guitar onto track 1 via a micro-
phone. We assume that Song02 is loaded and no sound is recorded to Song02. See "Creating a
song for recording" on page 31 for details about how to create a song.
1) Connect a microphone to the [BAL] or
[UNBAL/GUITAR] input connector of the
[INPUT A] channel.
<Note>:
You can apply the mic simulation
as insert effects when the [
INPUT A SELECT
]
switch to "
MIC/LINE
" (see page 58).
3) Press the [REC SELECT] key for track 1.
Track 1 is record armed and the [REC SELECT]
key for track 1 starts flashing.
On the home screen, the remaining time is
shown, while "1" for the track number changes
to "A".
Preparation for recording
2) Set the [INPUT A SELECT] switch to "MIC/LINE".
<Note>:
You can supply the phantom power
to a condenser microphone connected to
the [
BAL
] XLR connector (see page 128).
Note that you cannot supply the phantom
power via the [
GUITAR/UNBAL
] phone con-
nector.
MIN MAX
100
LR
100
LR
100
LRRL
MIN
MAX
LINE MIC LINE MIC LINE MIC LINE MIC
REC SELECT
010
1
2
3
4
5/6 MASTER
MAX
MAX
MIN
MIN
7/8
LOCATE REC END
A-B PLAY
LOCATE ABS ZERO
PLAYSTOP
RECORD
REWIND F FWD
GUIDE
RHYTHM
CONTRAST
1-8 >
SONG
NEW
1-6 > 7/8
1-4 > 5/6 STEREO
WAV FILE
BOUNCE
POWERFUL
MASTERING
B / OUT
A / IN
LOCATE
STOREPLAY MODEAUTO PUNCH
NATURAL BRIGHT
TIME BASE
SELECT
UNDO/REDO
7/8 >
MENU / ENTER
SIMULATION
DYNAMIC CONDENSER TUBE
MIC
PAN
EFFECT
REVERB / DELAY TIME
HALL
ROOM
PLATE DELAY
PHONES VOL
L
STEREO OUT
R
2
PHONES
1
MAXMIN
BAL
BALBAL
TRIM
UNBAL
PEAK
TRIM
UNBAL
PEAK
TRIM
UNBAL
PEAK
PEAK
DISTORTION
GUITAR
/GUITAR
INPUT A SELECT
INSERT
BAL
UNBAL
TRIM
INPUT A
INPUT B INPUT C INPUT D
ON/
OFF
POWER
ABC1 DEF2 GHI3
JKL4 MNO5
PQR6 STU7 VWX8 YZ9 +-_0
DELETE
TO STEREO BUSS
EFFECT SEND
ON/
OFF
ON/
OFF
ON/
OFF
60'S COMBO
US METAL
BRIT STACK
AMP
SIMULATION
INPUT A
INPUT A SEL
MIC/LINE
GTR CLEAN
GTR DIST
1
4
4
5
6
3
7
8
9
10
6
2
4) Set track fader 1 and [MASTER] fader to the
nominal position (marked by
).
Raising these faders allows you to monitor the
input sound. If these faders are not raised, you
cannot monitor the sound via headphones.
Recording onto a single track