Yamaha MG166C-USB Music Mixer User Manual


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ëÔ‡‚Ó˜ÌÓ ÛÍÓ‚Ó‰ÒÚ‚Ó
è‡ÌÂθ ÛÔ‡‚ÎÂÌËfl Ë Á‡‰Ìflfl Ô‡ÌÂθ
êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl MG206C-USB/MG166CX-USB/MG166C-USB
23
ëÔËÒÓÍ ÔÓ„‡ÏÏ ˆËÙÓ‚˚ı ˝ÙÙÂÍÚÓ‚ (ÚÓθÍÓ ‰Îfl MG166CX-USB)
* «LFO» Ó·ÓÁ̇˜‡ÂÚ Low Frequency Oscillator („ÂÌÂ‡ÚÓ ÌËÁÍÓÈ ˜‡ÒÚÓÚ˚). LFO Ó·˚˜ÌÓ ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÏÓ‰ÛÎflˆËË ‰Û„Ó„Ó Ò˄̇·, ÓÔ‰ÂÎflfl ÒÍÓÓÒÚ¸
ÏÓ‰ÛÎflˆËË Ë ÙÓÏÛ ‚ÓÎÌ˚.
ëÔËÒÓÍ ‡Á˙ÂÏÓ‚
*ä ˝ÚËÏ „ÌÂÁ‰‡Ï ÏÓÊÌÓ Ú‡ÍÊ ÔÓ‰Íβ˜‡Ú¸ ¯ÚÂÍÂ˚ ‰Îfl ̇ۯÌËÍÓ‚. èË ËÒÔÓθÁÓ‚‡ÌËË ÏÓÌÓÙÓÌ˘ÂÒÍËı ¯ÚÂÍÂÓ‚ ÔÓ‰Íβ˜ÂÌË ·Û‰ÂÚ
ÌÂÒ·‡Î‡ÌÒËÓ‚‡ÌÌ˚Ï.
No èÓ„‡Ïχ è‡‡ÏÂÚ éÔËÒ‡ÌËÂ
1 REVERB HALL 1 ÇêÖåü êÖÇÖêÅÖêÄñàà
ùÙÙÂÍÚ ‚Â·Â‡ˆËË, ÒÓÁ‰‡˛˘ËÈ Á‚Û˜‡ÌË ‚ ·Óθ¯ÓÏ ÔÓÒÚ‡ÌÒÚ‚Â, ̇ÔËÏÂ
ÍÓ̈ÂÚÌÓÏ Á‡ÎÂ.
2 REVERB HALL 2 ÇêÖåü êÖÇÖêÅÖêÄñàà
3 REVERB ROOM 1 ÇêÖåü êÖÇÖêÅÖêÄñàà
ùÙÙÂÍÚ ‚Â·Â‡ˆËË, ‚ÓÒÒÓÁ‰‡˛˘ËÈ ‡ÍÛÒÚËÍÛ Ì·Óθ¯Ó„Ó ÔÓÒÚ‡ÌÒÚ‚‡ (ÍÓÏ̇Ú˚).
4 REVERB ROOM 2 ÇêÖåü êÖÇÖêÅÖêÄñàà
5 REVERB STAGE 1 ÇêÖåü êÖÇÖêÅÖêÄñàà
ùÙÙÂÍÚ ‚Â·Â‡ˆËË, ‚ÓÒÒÓÁ‰‡˛˘ËÈ Á‚Û˜‡ÌË ̇ ·Óθ¯ÓÈ ÒˆÂÌÂ.
6 REVERB STAGE 2 ÇêÖåü êÖÇÖêÅÖêÄñàà
7 REVERB PLATE ÇêÖåü êÖÇÖêÅÖêÄñàà
ÇÓÒÔÓËÁ‚‰ÂÌË ˝ÙÙÂÍÚ‡ ÛÒÚÓÈÒÚ‚‡ ‚Â·Â‡ˆËË Ò ÏÂÚ‡Î΢ÂÒÍÓÈ Ô·ÒÚËÌÓÈ, ˜ÚÓ
Ó·ÂÒÔ˜˂‡ÂÚ ·ÓΠÊÂÒÚÍÓ Á‚Û˜‡ÌËÂ.
8 DRUM AMBIENCE ÇêÖåü êÖÇÖêÅÖêÄñàà
äÓÓÚ͇fl ‚Â·Â‡ˆËfl, ÍÓÚÓ‡fl ˉ‡θÌÓ ÔÓ‰ıÓ‰ËÚ ‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl Ò ‡·Ó˜ËÏ
·‡‡·‡ÌÓÏ.
9 KARAOKE ECHO áÄÑÖêÜäÄ ùıÓ ‰Îfl ͇‡ÓÍÂ.
10 VOCAL ECHO áÄÑÖêÜäÄ ùÙÙÂÍÚ ˝ı‡, ÔÓ‰ıÓ‰fl˘ËÈ ‰Îfl ‚Ó͇·.
11 CHORUS 1 ó‡ÒÚÓÚ‡ LFO ëÓÁ‰‡ÌË ÔÎÓÚÌÓ„Ó Á‚Û͇ ÔÛÚÂÏ ÏÓ‰ÛÎflˆËË ‚ÂÏÂÌË Á‡‰ÂÊÍË.
ë ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ PARAMETER ̇ÒÚ‡Ë‚‡ÂÚÒfl ˜‡ÒÚÓÚ‡ LFO*, ÍÓÚÓ‡fl ÏÓ‰ÛÎËÛÂÚ
‚ÂÏfl Á‡‰ÂÊÍË.
12 CHORUS 2 ó‡ÒÚÓÚ‡ LFO
13 FLANGER ó‡ÒÚÓÚ‡ LFO
ùÙÙÂÍÚ ÒÚÂÏËÚÂθÌÓ„Ó Á‚Û͇.
ë ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ PARAMETER ̇ÒÚ‡Ë‚‡ÂÚÒfl ˜‡ÒÚÓÚ‡ LFO*, ÍÓÚÓ‡fl ÏÓ‰ÛÎËÛÂÚ
‚ÂÏfl Á‡‰ÂÊÍË.
14 PHASER ó‡ÒÚÓÚ‡ LFO
î‡ÁÓ‚‡fl ÏÓ‰ÛÎflˆËfl Ó·ÂÒÔ˜˂‡ÂÚ ˆËÍ΢ÂÒÍËÈ ˝ÙÙÂÍÚ Ù‡ÁËÌ„‡.
ë ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ PARAMETER ̇ÒÚ‡Ë‚‡ÂÚÒfl ˜‡ÒÚÓÚ‡ LFO*, ÍÓÚÓ‡fl ÏÓ‰ÛÎËÛÂÚ
‚ÂÏfl Á‡‰ÂÊÍË.
15 AUTO WAH ó‡ÒÚÓÚ‡ LFO
ùÙÙÂÍÚ «‚‡Û-‚‡Û» Ò ÏÓ‰ÛÎflˆËÂÈ ˆËÍ΢ÂÒÍÓ„Ó ÙËθÚ‡.
ë ÔÓÏÓ˘¸˛ „ÛÎflÚÓ‡ PARAMETER ̇ÒÚ‡Ë‚‡ÂÚÒfl ˜‡ÒÚÓÚ‡ LFO*, ÍÓÚÓ‡fl ÏÓ‰ÛÎËÛÂÚ
‚ÂÏfl Á‡‰ÂÊÍË.
16 DISTORTION àçíÖçëàÇçéëíú ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ ÓÒÚÓ„Ó ËÒ͇ÊÂÌËfl.
ÇıÓ‰Ì˚Â Ë ‚˚ıÓ‰Ì˚ „ÌÂÁ‰‡ èÓÎflÌÓÒÚ¸ ‡Á˙ÂÏÓ‚ äÓÌÙË„Û‡ˆËfl
MIC INPUT, STEREO OUT
äÓÌÚ‡ÍÚ 1: Á‡ÁÂÏÎÂÌËÂ
äÓÌÚ‡ÍÚ 2: ÔÓÎÓÊËÚÂθÌ˚È (+)
äÓÌÚ‡ÍÚ 3: ÓÚˈ‡ÚÂθÌ˚È (–)
LINE INPUT (ÏÓÌÓ͇̇Î˚)
GROUP OUT, STEREO OUT,
MONITOR OUT, AUX SEND,
EFFECT SEND (ÚÓθÍÓ ‰Îfl MG166CX-USB)*
ç‡ÍÓ̘ÌËÍ: ÔÓÎÓÊËÚÂθÌ˚È (+)
äÓθˆÓ: ÓÚˈ‡ÚÂθÌ˚È (–)
ÉËθÁ‡: Á‡ÁÂÏÎÂÌËÂ
INSERT
ç‡ÍÓ̘ÌËÍ: ‚˚ıÓ‰
äÓθˆÓ: ‚ıÓ‰
ÉËθÁ‡: Á‡ÁÂÏÎÂÌËÂ
PHONES
ç‡ÍÓ̘ÌËÍ: L
äÓθˆÓ: R
ÉËθÁ‡: Á‡ÁÂÏÎÂÌËÂ
RETURN
LINE INPUT (ÒÚÂÂÓ͇̇Î˚)
ç‡ÍÓ̘ÌËÍ: ÔÓÎÓÊËÚÂθÌ˚È
ÉËθÁ‡: Á‡ÁÂÏÎÂÌËÂ
ÇõïéÑÇïéÑ
ÉÌÂÁ‰Ó XLR
ç‡ÍÓ̘ÌËÍÉËθÁ‡
äÓθˆÓ
ÉÌÂÁ‰Ó ‰Îfl
ç‡ÍÓ̘ÌËÍÉËθÁ‡
ÉÌÂÁ‰Ó ‰Îfl
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