VOCAL DESIGNER EDIT
Here you can make settings
or the Vocal Designer part.
arameter Value Descri
tio
Input
ource Selects the modulator (p. 20)
he audio signal o
the part (AKEY, ENS, LOOPER) selected
or Input Source will
be sent to the modulator, and therefore will no longer sound in the usual way;
however
ou can pla
the Input Source directl
b
raising the [DIRECT] knob.
I
-EX
he audio signal from the mic jack will be used as the modulator. Normally,
ou can use this setting. B
turning on the rear panel [MIX TO MIC] switch, the
audio signal
rom the EXT IN
ack can also be used as the modulator
he audio signal from Audio Key will be used as the modulator. For example,
this lets
ou use Audio Ke
to pla
back a wave
le containing a vocal, and use
t
at soun
to p
ay Voca
Designer
N
he audio signal
rom the Ensemble part will be used as the modulator.
e Ensem
e
art’s Am
ience Sen
wi
e
isa
e
PER
he audio signal
rom the Sound Looper will be used as the modulator. For
xamp
e, t
is
ets you p
ay Voca
Designer using a voca
t
at was recor
e
into
the Sound Looper usin
direct microphone.
L
v
–127 Speci
es the volume o
the tone.
P
4–
–
R Speci es the pan. “L64” is far left, “0” is center, and “63R” is far ri
ht
Dr
Sen
0–127 S
eci
es the volume o
the
art
m
i
n
n
–127 Speci es the level of the signal sent to the ambience
oarse Tun
-1
–+1
A
justs t
e pitc
up or
own in semitone steps (+/-1 octave).
F
n
T
n
-
–+
Ad
usts the pitch up or down in 1-cent steps (+/-50 cents)
One cent is 1
100th of a semitone.
v
-
–+
Ad
usts the pitch o
the sound up or down in units o
an octave (+/-3 octaves)
one -64–+6
A
justs t
e tone.
Increasing the value will strengthen the highs, producing a clearer sound
Decreasing t
e va
ue wi
restrain t
e
ig
s, pro
ucing a mi
er soun
k -
4–+
Ad
usts the attack.
Increasing t
e va
ue wi
ma
e t
e attac
more gent
e.
Decreasin
the value will make the attack sharper.
Re
eas
-64–+6
A
usts t
e re
ease
Increasing the value will lengthen the time from note-o (releasing the key)
unti
t
e soun
isappears
Decreasing the value will shorten the time from note-o (releasing the key)
until the sound disappears
i
rato Rate -64–+6
A
just t
e vi
rato spee
(t
e rate at w
ic
t
e soun
is mo
u
ate
). T
e soun
will be modulated more rapidl
or higher settings, and more slowl
with lower
sett
ngs.
ibrato Dept
-
4–+
Adjusts the depth o
the vibrato e
ect (the depth at which the sound is
modulated). The sound will be modulated more greatl
or higher settings, and
less with lower settin
s.
i
rato De
a
-64–+6
Adjusts the time dela
until the vibrato (sound modulation) e
ect begins.
Higher settings will produce a longer delay time before vibrato begins, while
ower settings pro
uce a s
orter time.
Bend Ran
–1
Speci es the de
ree of pitch chan
e in semitones when the Pitch Bend lever is
all the wa
right/le
t. For example, i
this parameter is set to “12,” the pitch will
rise one octave w
en t
e pitc
en
ever is move
to t
e ri
t-most position
Bend T
p
RMAL
he pitch bend lever will operate in the conventional wa
(movement o
the
ever wi
pro
uce smoot
c
an
es in pitc
).
HR
MATI
he pitch bend lever will change the pitch in semitone steps, simulating the
sound of vocal correction software.
B
n
M
RMAL
he pitch bend lever will operate in the conventional wa
.
K1 In this mode, pitch bend will not be applied to a new note that is played while
the pitch o
a previousl
pla
ed note is alread
being bent. B
using this setting
n conjunction with playing legato, you can create portamento-like e ects
K
Operation is essentiall
the same as LOCK1, but there will be no pitch change
n response to t
e pitc
en
ever returnin
.
