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Editing Effects: Chapter 7
QSR Reference Manual 10
CONFIGURATION #3: LEZLIE AND REVERB
LEZLIE
FX SEND 1
FX SEND 2
AUX LEFT
AUX RIGHT
MAIN LEFT
MAIN RIGHT
AUX LEFT
AUX RIGHT
MAIN LEFT
MAIN RIGHT
DELAY 1
1
REVERB
FX SEND 3
FX SEND 4
PITCH 2
DELAY 2
AMP
AMP
PITCH 3
DELAY 3
AMP
DELAY 4
AMP
1
2
1
2
1
2
1
2
BAL.
BAL.
BAL.
BAL.
BAL.
2 3 1 2 3 14 MIX
REVERB 1
REVERB 2
REVERB 3
REVERB 4
DELAY 1
DELAY 2
DELAY 3
DELAY 4
PITCH 1
PITCH 2
PITCH 3
BAL.
BAL.
Pitch 1 Delay 1 Reverb 1
Lezlie Mono delay Plate 1
Plate 2
Hall
Room
Hall
Large
Gate
Reverse
Pitch 2 Delay 2 Reverb 2
Mono chorus Mono delay Balance and level to Reverb 1
Stereo chorus Stereo delay
Mono flange Ping-pong delay
Stereo flange
Pitch detune
Resonator
Pitch 3 Delay 3 Reverb 3
Resonator Mono delay Balance and level to Reverb 1
Delay 4 Reverb 4
Mono delay Mix and level to Reverb 1
This Configuration is similar to Configuration 1, except it provides a stereo “Lezlie”
effect on send 1, which emulates a rotating speaker effect commonly heard with
organ sounds. This is followed by a Delay effect before going to the single stereo
Reverb effect. Sends 2 and 3 have Pitch modules preceding Delay modules, which are
then routed to Reverb 1. Send 4 has only a Mono Delay effect, which may also be
routed to Reverb 1.