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Effect Types and Parameters
ZOOM G9.2tt
64
EXT LOOP (external loop) module
This module controls an external effect connected to the EXT LOOP SEND/RETURN jacks.
The external effect send level and return level and the G9.2tt internal signal level can be set
separately for each patch (→ p. 41). By setting this module to OFF, the external effect can
be defeated .
PARM1 PARM2 PARM3
SendLevel
0 – 100
RetLevel
0 – 100
DryLevel
0 – 100
Adjusts the external effect
send level.
Adjusts the external effect
return level.
Adjusts the volume of the
original sound in the G9.2tt
(the signal level that is input to
the EXT LOOP module).
ZNR module
This module serves for reducing noise during playing pauses. It offers a choice between
noise reduction and noise gate (muting during pauses).
ZNR (ZOOM NOISE REDUCTION)
ZOOM original noise reduction which reduces noise in playing pauses without affecting the overall tone.
NoiseGate
This is a noise gate which cuts off the sound during playing pauses.
DirtyGate
This is a vintage type gate with special closing characteristics.
The above three effect types have the same parameter.
PARM1
Threshold
1 – 16
Adjusts the ZNR sensitivity. For maximum noise
reduction, set the value as high as possible without
causing the sound to decay unnaturally.
Effect Types and Parameters
ZOOM G9.2tt
65
PRE AMP module
This module comprises 43 types of distortion and an acoustic simulator. In edit mode, the
module is adjusted using the [GAIN] and [LEVEL] knobs of the pre-amp section and the
parameter knobs 1 and 2. For each effect type in this module, there are 2 algorithms (for live
playing and direct recording). The algorithms are automatically selected according to the
on/off status of the CABINET module (→ p. 67). Effect parameters are described below,
after effect types.
FD Clean VX Clean
Clean sound of a Fender Twin Reverb ('65 model) favored
by guitarists of many music styles.
Clean sound of the combo amp VOX AC-30 operating in
class A.
JC Clean HW Clean
Clean sound of the Roland JC series with built-in chorus
which gives a wide, clear tone.
Clean sound of the legendary all-tube Hiwatt Custom
100 from Britain.
UK Blues US Blues
Crunch sound of the 30-watt combo amp Marshall 1962
Bluesbreaker.
Crunch sound of a Fender Tweed Deluxe '53.
TweedBass BG Crunch
Crunch sound of the Fender Bassman, a bass amp with
a strong presence.
Crunch sound of the Mesa Boogie MkIII combo amp.
VX Crunch Z Combo
Crunch sound of class A combo amp Vox AC30TBX. Zoom original combo amp crunch sound.
MS #1959 MS Crunch
Crunch sound of the Marshall 1959 that has become
legendary.
Crunch sound of the Marshall stack amp JCM800 that
ranges from clean to crunch.
MS Drive Rect Cln
High gain sound of the Marshall stack amp JCM2000.
Clean sound of the Mesa Boogie Dual Rectifier orange
channel.
Rect Vnt Rect Mdn
High gain sound of the Mesa Boogie Dual Rectifier red
channel (Vintage mode).
High gain sound of the Mesa Boogie Dual Rectifier red
channel (Modern mode).
HK Clean HK Crunch
Clean sound of the Hughes & Kettner flagship model
Triamp MKII (Amp 1).
Crunch sound of the Hughes & Kettner flagship model
Triamp MKII (Amp 2).
HK Drive DZ Clean
High gain sound of the Hughes & Kettner flagship model
Triamp MKII (Amp 3).
Channel 1 clean sound of the hand-made German guitar
amp Diezel Herbert with three separately controllable
channels.
DZ Crunch DZ Drive
Channel 2 crunch sound of the Diezel Herbert amp.
Channel 3
high gain sound of the Diezel Herbert amp.
ENGL Drv PV Drive
Drive sound of the ENGL Ritchie Blackmore Signature
100.
High gain sound of a Peavey 5150 developed in
cooperation with a world-famous hard rock guitarist.
Z Stack OverDrive
Zoom original head amp high gain sound.
Simulation of the Boss OD-1 that first created the
"overdrive" concept.
TS808 Centaur
Simulation of the often copied Ibanez TS808 used by
many guitarists as a booster.
Simulation of the Klon Centaur favored by many pros,
also as a booster.