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150 Chapter 12—Effects
01V—Owner’s Manual
REV->FLANGE
Reverb and flanger effects in series.
REV+SYMPHO.
Reverb and symphonic effects in parallel.
1.
2. For more information about the FREQ., NOTE, and TEMPO parameters, see “Setting
Delay, Freq, Note & Tempo Parameters” on page 137.
1.
2. For more information about the FREQ., NOTE, and TEMPO parameters, see “Setting
Delay, Freq, Note & Tempo Parameters” on page 137.
Parameter Range Description
REV TIME 0.3–99.9 s Reverb time
INI.DLY 0.0–500.0 ms Initial delay before reverb begins
HI.RATIO 0.1–1.0 High-frequency reverb time ratio
DENSITY 0–100% Reverb density
FREQ. 0.05–40.00 Hz Modulation speed
NOTE
*1
Used in conjunction with TEMPO to determine FREQ.
DEPTH 0–100% Modulation depth
MOD.DLY 0.0–500.0 ms Modulation delay time
FB.GAIN –99 to +99%
Feedback gain (plus values for normal-phase
feedback, minus values for reverse-phase feedback)
WAVE Sine, Tri Modulation waveform
REV BAL. 0–100%
Reverb and flanged reverb balance (0% = flanged
reverb, 100% = reverb)
HPF Thru, 21 Hz–8.0 kHz High-pass filter cutoff frequency
LPF 50 Hz–16.0 kHz, Thru Low-pass filter cutoff frequency
TEMPO
*2
25–300 bps Used in conjunction with NOTE to determine FREQ.
Parameter Range Description
REV TIME 0.3–99.9 s Reverb time
INI.DLY 0.0–500.0 ms Initial delay before reverb begins
HI.RATIO 0.1–1.0 High-frequency reverb time ratio
DENSITY 0–100% Reverb density
FREQ. 0.05–40.00 Hz Modulation speed
NOTE
*1
Used in conjunction with TEMPO to determine FREQ.
DEPTH 0–100% Modulation depth
MOD.DLY 0.0–500.0 ms Modulation delay time
WAVE Sine, Tri Modulation waveform
REV/SYM 0–100%
Reverb and symphonic balance (0% = symphonic,
100% = reverb)
HPF Thru, 21 Hz–8.0 kHz High-pass filter cutoff frequency
LPF 50 Hz–16.0 kHz, Thru Low-pass filter cutoff frequency
TEMPO
*2
25–300 bps Used in conjunction with NOTE to determine FREQ.