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Control panel
14
Mix section
These output channels control the signals of MIX
buses 1–16. MIX buses 13/14 and 15/16 are controlled
as stereo pairs respectively. The signal that passes
through these output channels is output individually
from the MIX OUT 1–16 jacks (page 27), and can also
be sent to the MAS AFL bus, MAS PFL bus, ST bus,
and the matrix.
A TO MATRIX switches
When these switches are on ( ), the signal of the
corresponding MIX OUT will be sent to the matrix.
B PAN controls/BAL controls
These controls specify the pan (MIX OUT 1–12) or
left/right balance (MIX OUT 13–16) when the MIX
OUT signal is sent to the ST bus.
C TO STEREO switches
When these switches are on ( ), the signal of the
corresponding MIX OUT will be sent to the ST bus.
D ON/EDIT switches
The function of these switches and indicators will
depend on the mode of the M3000A.
●In normal mode
The ON/EDIT switches will turn each MIX OUT on/
off. When on, the ON indicator will light. MIX OUTs
which are turned off will send no signal to the MIX
OUT 1–16 jacks, the MAS AFL bus, the ST bus or the
matrix. However even in this case, you can turn on the
AFL switch (6) to monitor the pre-fader signal from
the MONITOR OUT jacks or the PHONE jack.
●In check mode
You can use the CHECK indicators to view the on/off
status of each MIX OUT stored in a scene before you
actually recall the scene.
In check mode, you can also use the ON/EDIT
switches to change only the lit/dark status of the
CHECK indicators. (The actual on/off setting will not
be affected.)
For details on check mode, refer to page 33.
E Mix master faders
These faders adjust the output level of MIX OUT 1–
16. These faders affect the signal which is sent to the
MIX OUT 1–16 jacks, the MAS AFL bus, the ST bus,
and the matrix.
F AFL (after fader listen) switches
These switches allow the signals from MIX OUT to be
monitored from the MONITOR OUT jacks or
PHONES jack. When these switches are on ( ), the
indicator will light, and the pre-fader signal of the
corresponding MIX bus will be sent to the MAS PFL
bus, and the post-fader signal will be sent to the MAS
AFL bus, allowing you to monitor from the MONI-
TOR OUT jacks or the PHONES jacks. The signal of
the MAS AFL bus can be monitored when the MAS-
TER PFL switch (page 19) of the monitor section is
off, and the signal of the MAS PFL bus can be moni-
tored when this switch is on. However while even one
of the PFL switches of the input channels is on, the
signal of the PFL bus will take precedence, meaning
that it will not be possible to monitor MIX OUT.
MIX 13/14MIX 11/12 MIX 15/16
MIX 13/14MIX 11/12 MIX 15/16
BAL
TO STEREO
TO MATRIXTO MATRIX
TO STEREO
L
R
PAN
L
R
PAN
L
R
AFLAFL
ON/EDITON/EDIT
CHECK
ON
CHECK
ON
10
5
0
5
10
20
40
BAL
TO STEREO
TO MATRIX
L
R
AFL
ON/EDIT
CHECK
ON
10
5
0
5
10
20
40
10
5
0
5
10
20
40
MIX 9/10
MIX 9/10
TO MATRIX
TO STEREO
PAN
L
R
PAN
L
R
AFL
ON/EDIT
CHECK
ON
10
5
0
5
10
20
40
MIX 7/8
MIX 7/8
TO MATRIX
TO STEREO
PAN
L
R
PAN
L
R
AFL
ON/EDIT
CHECK
ON
10
5
0
5
10
20
40
MIX 5/6
MIX 5/6
TO MATRIX
TO STEREO
PAN
L
R
PAN
L
R
AFL
ON/EDIT
CHECK
ON
10
5
0
5
10
20
40
MIX 3/4
MIX 3/4
TO MATRIX
TO STEREO
PAN
L
R
PAN
L
R
AFL
ON/EDIT
CHECK
ON
10
5
0
5
10
20
40
MIX 1/2
MIX 1/2
TO MATRIX
TO STEREO
PAN
L
R
PAN
L
R
AFL
ON/EDIT
CHECK
ON
10
5
0
5
10
20
40
A
D
E
F
C
B