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AMP TYPECABINET
TYPE
PEDAL
MODULATION
DELAYREVERB Amp/Effect
39
1. OFF
Select this if you don’t want to use the delay effect.
2. DELAY
When this high quality digital delay effect is employed, the tone of each repeat is
so good it is indistinguishable from the original note(s).
3. TAPE ECHO (T ECHO)
This is an incredibly accurate model of one of the most respected analogue tape
echo machines ever made. In the original the “echo” is produced by a playback
head and the exact “delay time” is set by varying the motor speed. Many profes-
sionals prefer these “lo-fi” units because of the warm, dark echoes they produce.
4. MULTI HEAD (MULTI HD)
This is a model of a tape echo unit boasting three playback heads. Here we use
two out of the three for a classic sound. Furthermore, each of the two resulting
“echoes” (one from each head) has its own feedback loop. The result? A complex
and warm “multi-tap” echo effect.
[1] “TIME” 0...2000 Makes a fine adjustment in a range of –64...+63[ms]
relative to the current delay time.
[2] “MIX” 0.0...10.0 Adjusts the mix amount of the delayed sound.
[3]
“FEEDBACK”
0.0...10.0 Adjusts the amount of feedback.
WARNING! WARNING! If you crank up the FEEDBACK knob too much, an uncon-
trollable, cascading “runaway” of echoes will occur. So, use your ears and your
common sense when setting this!
TAP 0...2000 Sets the delay time. Press the TAP button twice at the
desired interval.
(*) TONE 1.0...10.0 (TAPE ECHO/MULTI HEAD) Adjusts the tone of the
delay.
(*) MODE 1, 2, 3, 4, 5 (MULTI HEAD) Specifies the combination of heads
that will be used.
1: Conventional echo.
2: The delayed sound produces a rhythm of “ta-ta-ta (rest).”
3: The delayed sound produces a rhythm of “ta (rest) ta-ta.”
4: The delayed sound produces a rhythm of “ta-ta (rest) ta.”
5: The delayed sound produces a rhythm of “ta-ta-ta-ta.”
INPUT LEVEL:
(EX)
This is the input level of the delay controlled by the
optional foot controller.