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110 CLP-295GP Owner’s Manual
Appendix
Voice Combination Examples
(Dual and Split)
Dual
Split
Dual + Split
MAIN + MAIN GrandPiano1 + E.Piano1
GrandPiano1 + E.Piano2
This combination is often used in popular music.
MAIN + MAIN GrandPiano1 + SynthPiano This produces a fantasy, spacious piano sound.
MAIN + MAIN GrandPiano2 + GrandPiano2 This combination sounds as if you are playing
two notes that are one octave apart. It is suitable
for the accompaniment of Salsa music.
MAIN + MAIN E.Piano1 + SlowChoir This is suitable for romantic ballads.
MAIN + MAIN E.Piano2 + E.Clavichord This is suitable for funk, rhythm & blues, and soul
music.
MAIN + MAIN Harpsichord8' + Strings This combination is very suitable for Baroque
music.
MAIN + MAIN Celesta + SynthStirngs This combination adds strings and bell sound. A
delay effect is automatically applied.
MAIN / LEFT GrandPiano1 / WoodBass
or Bass&Cymbal
This is recommended for light Jazz music. The
damper pedal is effective on the voice assigned
to the right-hand range.
MAIN / LEFT Celesta / Choir This is suitable for a peaceful, somewhat cute
song.
MAIN / LEFT Choir / GrandPiano1 Play these voices elegantly along with piano
arpeggio. Playing the Choir voice in chords
would be more effective.
MAIN / LEFT Scat / WoodBass This combination features a cool (stylish) jazz
chorus. The Scat voice is touch sensitive, adding
a variety of expressions.
MAIN / LEFT E.Piano2 / Scat Playing the Scat voice for a bass part may create
an interesting sound.
MAIN + MAIN / LEFT GrandPiano1 + SynthString /
GrandPiano1
This combination creates the thick sound of a
layered piano and strings.
MAIN + MAIN / LEFT GrandPiano2 + E.Piano1 /
ElectricBass
This sound is suitable for fusion. Deeper reverb
and chorus (page 79) will improve the groove.
The damper pedal is effective on the voice
assigned to the right-hand range.
MAIN + MAIN / LEFT + LEFT Harpsichord8' + 4' + Strings /
Harpsichord8' + Strings
This combination makes a very brilliant sound.