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116 ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL
modulation input directed towards the cut-off. Do the same thing on filter2 using
envelope2.
If you do not hear the sound, make sure with a right click on the “trigg” inputs of these 2
envelopes that “keyboard trigger” has been selected.
Apply light cyclic variations on the filter1 cut-off frequency. Choose the “Sin” output of
LFO1 and direct it to the first modulation input of filter1. Lightly turn the jack to the right
(to 2 o’clock for example), this will dose the modulation input directed towards the cut-off.
Lower the cut-off frequency to clearly hear the oscillation of the sound.
Do the same thing with filter2 by choosing the triangular waveform of LFO1. To create
subtle evolutions of stereo sound, turn the modulation jack ring in the opposite direction of
filter1.
LFO1 to the filters link
If you wish to change the LFO oscillation speed, simply turn the “Frequency” button.
You can also create light fluctuations in the change of speed of LFO1. For this, connect the
LFO2
output to the “FM” input (Frequency Modulation) of LFO1. Turn the jack ring to
dose the modulation. The evolution of the 2 filters will be less linear.
An accompaniment sound has a fairly slow attack, set the 2 VCA envelopes so that the
sound appears more slowly when you press the keys of your keyboard. Turn the 2 attack
buttons (“Attack” — A) to the right: set them to 2 seconds for example.
Hone the setting of these envelopes by prolonging the decay of the sound: turn the 2
release buttons (“Release” — R) lightly increasing them (to 500 millisecond for example)