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126 ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL
Now connect the L4 sequencer output (at the bottom of the section) to the first modulation
input of filter2. You can also try a positive or negative value.
Select the “Seq Trig” output by clicking on the “Trig” input of VCA2 and separate the knobs
of the 2 VCA in order to create an evolving stereo sequence.
Move to the second section, click on the sequencer “on” button and set the 2 knobs lines
corresponding to filter1 and VCO4. Finally, choose the type of sequence chaining with the
fourth column.
If you wish to add a little “portamento” to a melodic line, turn the “Smooth” knob
corresponding to your sequence line.
Turn the “Smooth” knob
to complete the evolution of the sound in stereo, you can apply modulations to the cut-off
frequencies of the 2 filters using a LFO. To make this effect more apparent, turn the level
of the modulation input of filter1 to the left (negative value) and of filter2 to the right
(positive value). By applying a slow rotation speed to the LFO, you will get the linking of
the 2 sequences in stereo space, brought about by the opening of the 2 cut-off frequencies.
9.3 B
ONUS FEATURES
9.3.1 Creative use of key follows
The Moog Modular V provides you with settings for 4 independent key follows. These key
follows are mainly used to tune the oscillators in relation to the keyboard range but can also be
used for different applications.
Try, on a filter1 cut-off frequency, opening (click several times on the key follow display
situated at the bottom of the filter to select the “K2” key follow). It will become
increasingly brilliant when the height is increased of the follow slope is positive and the
contrary if it is negative.