Arturia 2.6 Recording Equipment User Manual


 
ARTURIA – MOOG MODULAR V 2.6 – USER’S MANUAL 5
6.4.7
Key follow or sequencer connections ............................................................. 65
7
The modules ..................................................................................................... 68
7.1
Programming section ...................................................................................... 68
7.1.1
Description ................................................................................................ 68
7.1.2
Oscillators.................................................................................................. 68
7.1.3
Filters........................................................................................................ 72
7.1.4
Modulation envelopes .................................................................................. 77
7.1.5
Output amplifiers (VCA)............................................................................... 78
7.1.6
Low frequency oscillators (LFO) .................................................................... 79
7.1.7
Controlled amplifiers / Mixers ....................................................................... 80
7.1.8
Trigger delay.............................................................................................. 81
7.1.9
Noise generator .......................................................................................... 83
7.1.10
Sample and hold ..................................................................................... 84
7.1.11
Envelope follower .................................................................................... 85
7.1.12
Ring modulator ....................................................................................... 86
7.1.13
Formant filter.......................................................................................... 87
7.1.14
Bode Frequency Shifter ............................................................................ 87
7.2
Second section .............................................................................................. 88
7.2.1
Description ................................................................................................ 88
7.2.2
Resonant filter bank .................................................................................... 89
7.2.3
Chorus ...................................................................................................... 90
7.2.4
Phaser....................................................................................................... 91
7.2.5
Stereo Delay .............................................................................................. 92
7.2.6
Sequence generator .................................................................................... 93
7.3
Third Section ................................................................................................. 96
7.4
Fourth section................................................................................................ 96
7.4.1
Keyboard follow management ...................................................................... 97
7.4.2
General settings ......................................................................................... 98
8
The basics of subtractive synthesis ...................................................................... 99
8.1
The three main modules ................................................................................. 99
8.1.1
The oscillator or VCO................................................................................... 99
8.1.2
The filter or VCF ........................................................................................102
8.1.3
The amplifier or VCA ..................................................................................106
8.2
Complimentary modules ................................................................................106
8.2.1
The keyboard ............................................................................................106
8.2.2
The envelope generator ..............................................................................107
8.2.3
The low frequency oscillator ........................................................................107
9
A few elements of sound design .........................................................................109
9.1
Modular sound synthesis ................................................................................109
9.1.1
Simple patch #1 ........................................................................................109
9.1.2
Simple patch #2 ........................................................................................110
9.1.3
Complex patch #1 .....................................................................................113
9.1.4
Complex patch #2 .....................................................................................117
9.2
The sequencer ..............................................................................................120
9.2.1
Sequence #1.............................................................................................120
9.2.2
Sequence #2.............................................................................................122
9.2.3
Sequence #3.............................................................................................125
9.3
Bonus features .............................................................................................126
9.3.1
Creative use of key follows..........................................................................126
9.3.2
Creative use of triggers and trigger delays ....................................................128
9.3.3
Stereo without the effects...........................................................................130
9.4
using the new Moog Modular V 2.0 modules .....................................................131
9.4.1
The Bode Frequency Shifter ........................................................................131
9.4.2
The Envelope Follower................................................................................134
9.4.3
The sample and hold ..................................................................................137