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Table of Contents
TOC-2 – 1.00 – 06/97
7 –Monitoring modes
7.1 Monitoring controls
.................................. 7-1
7.1.1 ALL INPUT [18] and INPUT MONITOR [29]
...... 7-1
7.1.2 AUTO MON
............................................... 7-1
7.1.3 Shuttle monitoring
..................................... 7-2
7.2 Confidence mode
...................................... 7-2
7.2.1 Arming tracks in pairs
................................. 7-3
7.2.2 Using confidence mode
.............................. 7-3
8 –Advanced operations
8.1 Autolocation
.............................................. 8-1
8.1.1 Setting MEMO 1 and MEMO 2 “on the fly”
...... 8-1
8.1.2 Checking, editing and manually entering MEMO 1
and MEMO 2
.................................................. 8-1
8.1.3 Setting the location pre-roll time
................... 8-1
8.1.4 Moving to MEMO 1 and MEMO 2
................... 8-2
8.2 Function key location memories
............. 8-2
8.2.1 Storing a function key location memory
......... 8-2
8.2.2 Editing function key memories
..................... 8-2
8.2.3 Locating to a function key memory
............... 8-3
8.2.4 Location and playback
................................ 8-3
8.2.5 Repeat function
......................................... 8-3
8.2.6 To start repeat play
.................................... 8-3
8.3 Track delay
................................................ 8-4
8.3.1 To set the track delay:
................................. 8-4
8.4 Crossfade times
........................................ 8-4
8.5 Vari speed (pitch control)
........................ 8-5
8.5.1 To set a non-standard speed
........................ 8-5
8.5.2 Resetting the speed to standard
................... 8-5
8.6 Shuttle operations
.................................... 8-5
8.6.1 Shuttle monitoring
..................................... 8-6
8.6.2 Shuttle muting
........................................... 8-6
8.7 Reference levels
....................................... 8-6
8.8 Meter modes
.............................................. 8-7
8.8.1 Peak hold time
........................................... 8-7
8.8.2 Meter ballistics
.......................................... 8-7
8.9 Sine oscillator
........................................... 8-7
8.9.1 Recording the oscillator
.............................. 8-7
8.10 Digital recording
..................................... 8-8
8.10.1 Changing between digital and analog inputs
. 8-8
8.10.2 Selecting word length
............................... 8-8
8.11 Routing digital inputs
............................. 8-8
8.11.1 Track Copy (channel-to-track routing)
.......... 8-9
8.12 REC MUTE (recording silence)
.............. 8-9
8.13 Dither
....................................................... 8-9
8.13.1 Selecting dither settings
............................ 8-10
8.14 Setting the power-on message
.............. 8-10
9 –Synchronization with other DTRS units
9.1 Synchronization connections
.................. 9-1
9.2 Machine ID and master/slave settings
.... 9-1
9.2.1 Differences between DTRS models
............... 9-1
9.2.2 Setting machine ID
..................................... 9-2
9.2.3 Master/slave settings (CHASE mode)
............. 9-2
9.3 Machine offset
........................................... 9-2
9.3.1 Setting machine offset
................................ 9-2
9.3.2 Cancelling machine offset
........................... 9-3
9.3.3 Setting machine offset “on the fly”
................ 9-3
9.3.4 An example of setting offsets
....................... 9-3
9.4 Digital dubbing
.......................................... 9-4
9.4.1 Synchronized formatting
............................. 9-5
9.4.2 Recording while formatting
.......................... 9-5
9.5 Error messages
......................................... 9-5
10 –Operations related to timecode
10.1 ABS and SMPTE/EBU timecode
.......... 10-1
10.1.1 ABS time
............................................... 10-1
10.1.2 Tape timecode
....................................... 10-1
10.1.3 Selecting TC or ABS timing
...................... 10-1
10.1.4 Location point settings
............................ 10-2
10.2 Tape timecode mode
............................ 10-2
10.2.1 TcTrack setting
...................................... 10-2
10.2.2 ABS setting
........................................... 10-2
10.2.3 ABS-Ofs setting
..................................... 10-2
10.2.4 ABS-13 and ABS-23 settings
.................... 10-3
10.2.5 Checking tape TC
................................... 10-3
10.3 Selecting the frame rate
....................... 10-4
10.3.1 Pull up and pull down (Fs shift)
................. 10-4
10.4 Timecode input and output
.................. 10-4
10.4.1 Timecode input
...................................... 10-4
10.4.2 Timecode output
.................................... 10-5
10.4.3 Timecode output format
........................... 10-5
10.4.4 Timecode output timing
........................... 10-5
10.4.5 Using MIDI Time Code (MTC)
.................... 10-6
10.5 Recording timecode
............................. 10-6
10.5.1 Selecting the timecode source
.................. 10-6
10.5.2 Recording timecode using the generator
.... 10-6
10.5.3 Synthesizing timecode from ABS timing
..... 10-8
10.5.4 Assembling timecode
.............................. 10-8
10.5.5 External timecode sources
....................... 10-8
10.5.6 Recording timecode from external sources
. 10-9
10.5.7 Checking external timecode
..................... 10-10
10.6 Video resolution
.................................... 10-10
10.7 Chasing to timecode
............................. 10-10
10.7.1 Machine ID and timecode
......................... 10-10
10.7.2 Setting timecode offset
............................ 10-11
10.7.3 Setting timecode offset from the menu
....... 10-11
10.7.4 Cancelling timecode offset
....................... 10-11
10.7.5 Setting timecode offset on-the-fly
.............. 10-11
10.7.6 Park position
......................................... 10-12
10.7.7 Automatic park position setting
................ 10-12
10.7.8 Absolute and relative difference
................ 10-12
10.7.9 Rechasing timecode
................................ 10-13
10.7.10 Bypassing timecode errors
..................... 10-13
10.7.11 Individual recording while chasing
timecode
..................................................... 10-14
11 –External control
11.0.1 Selecting the control source (protocol)
....... 11-1
11.1 Use with 9-pin external control
............ 11-1
11.1.1 Video clocking
....................................... 11-1
11.1.2 Emulation
.............................................. 11-1
11.1.3 Record delay
......................................... 11-1
11.1.4 Cue-up tally
........................................... 11-2
11.1.5 Fast wind speed
..................................... 11-2
11.1.6 Track mapping
....................................... 11-3
11.1.7 Timecode track mapping
.......................... 11-3
11.1.8 Remote track arming
............................... 11-4
11.2 Bus protocol
.......................................... 11-4
11.2.1 Assigning a MIDI and Bus ID to the DA-98
... 11-4
11.3 MIDI Machine Control
........................... 11-4
11.3.1 MMC commands and the DA-98
................ 11-4