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6. Use the DETUNE ∧ and ∨ buttons for fine
adjustment of the pitch deviation.
7. Use the PANNING ∧ and ∨ buttons to adjust
the stereo balance.
• PAN: CTR is the center point. At L64, the sound is all the
way to the left, at R63 all the way to the right.
• If STEREO R or STEREO L is selected for the MODE,
the balance is fixed (cannot be moved).
8. Use the DELAY ∧ and ∨ buttons to adjust the
delay time of the sound.
• The higher the number, the longer the delay before sound
output.
9. Use the TRIGGER ∧ and ∨ buttons to select
a trigger mode.
KEY ON:
The normal mode, in which sound is emitted when the
key is played.
KEY OFF:
Sound is emitted when the key is released (like muted
strings, for example).
LEGATO:
Sound is emitted only when the key is played legato.
NON LEG:
Sound is not emitted when the key is played legato.
PEDAL:
The sound is produced only while the SUSTAIN button is
on.
CHORD:
The sound is emphasized when chords are played (like
the cutting sound of a guitar, for example).
TONE COPY
You can copy the tone of a particular sound to a specified
tone in the sound you are editing.
1. On the 1/4 display, press the TONE COPY
button.
2. Use the FROM ∧ and ∨ buttons to select the
tone to copy from.
• Use the OPTION ∧ and ∨ buttons to select the item you
wish to copy.
3. Use the TO ∧ and ∨ buttons to select the tone
you wish to copy to.
4. Press the OK button.
• Tone copy is executed.
KEY LAYER
Adjust the relation of tone output to keyboard location.
1. Use the PAGE buttons to view the 2/4 display.
• The display looks similar to the following.
2. Use the buttons to the left of the display to
select a tone (1st, 2nd, 3rd or 4th).
3. Use the L-FADE ∧ and ∨ buttons and the LOW
∧ and ∨ buttons to define the area of the lower
range of tone output.
• By entering different values for the L-FADE and LOW
settings, you can define a sloping volume increase to the
peak output volume which corresponds to the note pitch.
4. Use the HIGH ∧ and ∨ buttons and the H-
FADE ∧ and ∨ buttons to define the area of
the higher range of tone output.
• By entering different values for the H-FADE and HIGH
settings, you can define a sloping volume decrease from
the peak output which corresponds to the note pitch.
• By overlapping the L-FADE and H-FADE curves of each
different tone, you can achieve a cross-fade effect, where
the sound gradually changes in relation to pitch.
5. Repeat steps 2 to 4 for the other tones, as
desired.
Sound Edit
Part IX Sound Edit
112
QQTG0665