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remains focused and well defined at even the most extreme gain settings. These
attributes have made this head a favourite with several of the world’s leading play-
ers, and its versatility make it ideal for a wide variety of purposes and styles.
Original’s tube compliment: 4 x 12AX7s in the preamp, 4 x 6L6s in the
power amp.
12. BOUTIQUE OD (BTQ OD)
For this one we modelled the Overdrive channel of a very rare, very expensive and
very respected 100 Watt head named the Overdrive Special. This custom-order,
hand-wired beauty has a spectacular overdriven sound that’s perfect for sax-like,
legato soloing. With its GAIN control wide-open, BOUTIQUE OD produces a stun-
ning sustain which is very smooth and very soulful - can you say “woman tone!?”
Original’s tube compliment: 3 x 12AX7s in the preamp, 4 x EL34s in the
power amp.
13. BOUTIQUE CL (BTQ CL)
For this amp type, we modelled the Clean channel of another very expensive, hand-
wired, custom amp made by the same boutique builder as BOUTIQUE OD. We audi-
tioned several top-shelf boutique amps for this model but this amp was the clear win-
ner. Even though its garish, fuzzy red covering wasn’t to everyone’s taste, it’s
beautiful clean sound was! Its beautifully rounded low-end, delightfully transient mid-
range attack and sweet treble make it the perfect partner for single-coil pickups. It is
also incredibly responsive and extremely sensitive to picking styles and pickup
selection. And, as an added bonus, strummed chords just ring out and blossom.
Original’s tube compliment: 3 x 12AX7s in the preamp, 4 x 6L6s in the
power amp.
14. BLACK 2X12 (BLK 2X12)
The dual channel, blackfaced beauty we modelled here is considered a “must-
have” 2x12 combo for country and blues players, and rightfully so - after all, its cel-
ebrated clean sound is very tight “n” twangy, with a deep, taut, piano-like bass.
Pristine clean tones aside, BLACK 2x12 is also capable of producing that
classic Chicago blues tone - especially with single coil pickups. In keeping with the
original, when pushed hard the bass on our model tends to crumble. So, to emu-
late this classic, BLACK 2x12 overdrive, here’s what you dial in on your
ToneLabSE: full GAIN and VR GAIN, not much BASS, full MIDDLE and set TRE-
BLE to taste. Because the EQ network of BLACK 2x12 lies before the main gain
stage of its preamp y’see, pushing the mids in this way emphasizes the distortion
in that frequency range and the result is a lovely, singing blues tone.
As already mentioned elsewhere, the original amp doesn’t have a Pres-
ence control but does have a Bright Switch. The PRESENCE control on your
ToneLabSE emulates this switch when “off” and “on,” plus all points in-between!
Original’s tube compliment: 4 x 12AX7s & 2 x 12AT7 (a.k.a. ECC81) in the
preamp, 4 x 6L6s in the power amp.