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Playing a SuperNATURAL Voice
When you play a SuperNATURAL voice, its tone quality will change appropriately when you play legato or staccato passages.
In addition, using the foot switches or D Beam while you perform can apply a variety of eects to the sound, making your performance expression
even richer and more realistic.
If you want to use the foot switches while performing, assign the foot switch functions (L Foot Switch, R Foot Switch) to “N.CONTROL 1” and
“N.CONTROL 2” (p. 93).
MEMO
If you want to use the foot switches, connect a pedalboard (PK series; sold separately) (p. 24).
Characteristics of the SuperNATURAL voices
Voice name Characteristics
Foot switch eect
N.CONTROL 1 N.CONTROL 2
N.Violin
A sound with beautifully applied portamento and
vibrato.
Portamento Pizzicato
N.Cello
N.Er Hu
This is characterized by the portamento and ornaments
distinctive to the Er Hu.
Portamento Ornament
N.NylonStrGt
A hold eect that sustains the sound and sound eects
in the lower range make this unique.
Hold Harmonics
N.FlamencoGt
When you play chords, the sound of guitar strumming
is produced.
N.Trumpet The “falls” typical of a trumpet are particularly eective. Glissando Fall
N.Trombone
The glissando that smoothly connects pitches is typical
of this instrument.
Glissando Fall
N.Alto Sax
This is notable for its beautifully supple tone and its
growl playing technique.
Glissando Growl
N.Tenor Sax
N.Flute
This sound has an appealing glissando that smoothly
connects the notes.
Glissando Growl
N.EnglishHrn
The ability to sustain long notes and the beautiful
vibrato make this voice special.
Glissando Growl
N.Clarinet
The glissando has a sense of pitch that is distinctive of
the clarinet.
Glissando Growl
N.Shakuhachi
You can use ornaments in a way that is unique to the
shakuhachi.
Glissando Ornament
N.Harmonica
The growl technique that characterizes the harmonica
is particularly expressive.
Glissando Growl
N.Marimba
This sound provides the distinctive tremolo of the
marimba.
Glissando Tremolo
Foot switch eects
Eect Explanation
Portamento, Glissando
These performance techniques continuously vary the pitch between two notes. The way in which notes are
connected will depend on the construction of the instrument.
Pizzicato
In this performance technique, the strings of the violin are plucked with the ngers rather than bowed with the
bow, producing sharply dened notes.
Ornament
This performance technique produces a rapid change in pitch at the beginning of the note, in a way that is
distinctive of that particular instrument.
Harmonics
This is a technique in which a string of the guitar is ngered lightly to sound an overtone. A pitch one octave
higher than the keyboard note will be heard.
Fall
This is the technique of rapidly lowering the pitch of a wind instrument while simultaneously producing a
decrescendo.
Growl This technique produces a powerful sound by simultaneously breathing and growling into a wind instrument.
Tremolo This is the technique of rapidly repeating a single note, or rapidly alternating between multiple notes.