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60
X.200
Digital X Bus
Aux 9/10 and 11/12 are perfect for stereo head-
phone sends. It’s often convenient for the musicians
to, at fi rst, monitor the L/R mix in the cue section
(CUE 1 and 2). Once the initial L/R mix is estab-
lished, copy it to the appropriate cue (PHONES
SETUP > Copy Mix to Cue), then customize for
individual monitoring needs.
❏ Adjust headphone monitor volume in the
PHONES section.
PHONES 2PHONES 1
1 2
SETUP C/R
1 2
SETUP C/R
❏ Route individual channels to the internal effects
in the ASSIGN window.
❏ Adjust the channel aux levels to route channels
to outboard effects.
❏ Verify that the MIX OUT is connected to the
mixdown machine.
A
B
MIX OUT CARD
SPDIF
SPEAKERS
PHONES
MIX OUT
IN
OUT
IN
LR
12
LR
LR
OUT
AES/EBU
Cassette or DAT Recorder
The mix should be arriving at the mixdown re-
corder. It’s good to check this as part of your track-
ing process. At the conclusion of a session the artist
will probably want to take a rough mix for evalua-
tion—you’ll look better if it’s already set to go.
❏ Record a pass on the multitrack
Play multitrack back—playback should sound
identical to tracking and you’re ready to print a
rough mix.