68
Chapter 4. Playing the Rhythm Sets
Selecting Rhythm Sets and
Playing the Percussion
Instruments
The SH-32 has four different Rhythm Sets stored internally; these are
divided into two “User Rhythm Sets” and two “Preset Rhythm Sets.”
1. Press [PATCH/PERFORM], causing the indicator light to go
off.
The SH-32 switches to Patch mode.
2. Press [BANK].
The [1/A]–[4/D] and [8/R] indicators blink.
3. Press [8/R].
The Rhythm Set bank is selected, and the [1/A]–[4/D] indicators
blink.
4. Press one of the buttons from [1/A] through [4/D] to select a
Rhythm Set.
[1/A] r1U (User Rhythm Set)
[2/B] r2U (User Rhythm Set)
[3/C] r3P (Preset Rhythm Set)
[4/D] r4P (Preset Rhythm Set)
The factory-programmed User Rhythm Sets contain data that
differs from that in the Preset Rhythm Sets.
5. Play the MIDI keyboard connected to the MIDI IN connector
or use the Preview (note-entry) function to play percussion
instrument sounds.
If playing sounds with an external MIDI keyboard, be sure to
match the MIDI channels (p. 84).
Editing a Rhythm Set
Making Settings for the Overall
Rhythm Set
Here’s how to make the common settings applied to all of the
percussion instruments in the Rhythm Set.
1. Select the Rhythm Set with the settings you want to change.
2. Confirm that the Preview function is off (the [PREVIEW]
indicator light to go off).
3. You can set the parameters shown in the following figure.
Use the knobs and buttons indicated for each parameter to
make the settings. In addition, some parameters include
values that are set by pressing [VALUE ▼/▲].
fig.04-01.e
For more detailed information on each of the parameters, see the
explanations on the reference pages for each parameter.
4. To save the settings, press [WRITE] and carry out the write
procedure (p. 70).
Switch the effect
connection
(series/parallel)
→ p. 64
[INS-FX]: Insertion Effects On/Off → p. 64
[REV/DELAY]: Reverb/Delay On/Off → p. 65
Rhythm Set Level
→ p. 59
Effect Settings
INS-FX
→ p. 65
REV/DELAY
→ p. 66
Arpeggiator Settings
[ON] → p. 74
[STYLE] → p. 74
[GRID] → p. 75
[BPM] → p. 74