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4. On the FROM side, use the buttons to specify
the part to copy from.
• For the DRUM part you can specify the DRUMS 1 or 2
part; for other parts you can specify a part other than a
DRUMS part.
5. On the TO side, use the FUNC ∧ and ∨ buttons
to specify for each part whether or not to copy
the data.
KEEP:
Part data is not copied.
CLEAR:
Part data is erased.
COPY:
Part data is copied.
6. Press the OK button.
SEQ TO COMPOSER COPY
Data from the SEQUENCER can be copied to a COMPOSER
memory. For example, you can use a rhythm pattern on a
song disk as the automatic accompaniment for your own per-
formance.
1. Play back the song you wish to copy from
SEQUENCER to confirm the tracks, the meas-
ures and the time signature you wish to copy.
2. Follow the procedure in “Prepare to record” to
prepare the COMPOSER memory you will be
copying to. (Refer to page 86.)
• Be sure that time signature setting in the SEQUENCER
data you are copying from and the time signature in the
COMPOSER memory you are copying to are the same,
or the data will not be copied successfully.
3. On the COMPOSER MENU display, select
SEQ TO COMPOSER COPY.
• The display looks similar to the following.
4. Use the FIRST MEASURE ∧ and ∨ buttons
to specify the number of the first measure to
copy.
5. Use the LAST MEASURE ∧ and ∨ buttons to
specify the number of the last measure to
copy.
6. Use the TRANSPOSE ∧ and ∨ buttons to
change the key of the copied measures (–24
to +24).
• Units are in semitones.
7. Use the MEMORY ∧ and ∨ buttons to specify
the COMPOSER memory to copy to.
8. Use the PATTERN ∧ and ∨ buttons to specify
the pattern to copy to.
9. For each COMPOSER part, specify the
SEQUENCER track from which to copy data.
• Use the PART ▲ and ▼ buttons to specify the part name,
and the TRACK ∧ and ∨ buttons to specify the track
number.
• Parts which are set to OFF are blank.
10.Press the OK button.
• “COMPLETED!” is shown on the display.
• If you wish to use the COMPOSER function to edit the
copied data, press the EDIT button, and follow the pro-
cedure to record a pattern.
• In the case of INTRO or ENDING, if a measure contains
a Maj or Min command, it is reproduced in the other
pattern as well.
Composer
Part V Composer
93
QQTG0665