Yamaha SPX2000 DJ Equipment User Manual


 
50 SPX2000—Owner’s Manual
Stereo Flanger, Stereo Phasing (CLASSIC bank)
These effects are based on earlier models of the SPX series. Stereo
Flanger is equivalent to the Flanger effects of the PRESET bank, and
Stereo Phasing is equivalent to the Phaser effects of the PRESET bank.
These effects have a simpler parameter structure than the equivalent
PRESET bank effects.
Each aspect of the sound is controlled by the following effect parame-
ters.
Modulation signal: MOD. FRQ., DEPTH
Effect sound: MOD. DLY, FB.GAIN
Output level: OUT LVL, MIX BAL.
Parameter details
Basic parameters
Effect list
The following table shows the default parameter values for the effects belonging to the Stereo Flanger and Stereo Phasing
types (CLASSIC bank).
Parameter name Range Explanation
MOD. FRQ 0.1—40.0 Hz
Speed of modulation. Increasing this value will make the modulation repeat at a shorter interval.
DEPTH 0—100%
Modulation depth. Increasing this value will make the modulation deeper.
MOD. DLY 0.0—500.0 ms
Delay of the effect sound relative to the original sound. The delay time will change around this
value. MOD.FRQ. sets the speed of this change, and DEPTH sets the depth.
F. B .GAIN 0—99%
Amount of feedback for the modulated sound. Raising this value will increase the amount of feed-
back, emphasizing the modulation. Negative (–) settings will invert the phase of the feedback.
OUT LVL 0—100%
Output level after the original sound and effect sound have been mixed.
Decrease this value if you want to lower the output. At a setting of 0% there will be no output.
MIX BAL. 0—100%
Balance between the original sound and effect sound. At a setting of 0% only the original sound
will be output; at a setting of 100% only the effect sound will be output.
No. Effect name MOD. FRQ DEPTH
MOD.
DLY
F.B.
GAIN
OUT LVL MIX BAL.
9 STEREO FLANGE A 2.5 Hz 50% 1.2 ms 35% 100% 100%
10 STEREO FLANGE B 0.5 Hz 89% 1.0 ms 40% 100% 100%
13 STEREO PHASING 1.1 Hz 100% 1.1 ms 44% 100% 100%
MOD. DLY
DEPTH
L(R) R(L)
Level
Time
Original sound