Korg sampler Musical Instrument User Manual


 
46
3 Press the SAMPLING [START/STOP] key to stop
recording.
Sampling will end automatically when the specified
Sample Time” is reached.
6. Listen to the sample and edit it
1 Press the Perf. Edit tab to select the P0: Play, Perfor-
mance Edit page, and select the program into which
the newly-recorded sample was converted.
INT-E: 101 was selected in the example shown here, so
press the [INT-E] key, then numeric keys [1], [0], and
the [1] key.
2 Play the C3 note on the keyboard to hear the sound
that was resampled.
REALTIME CONTROLS knobs 1–4, the Performance
Editor, and the various parameters in P1: Edit-Basic–
P9: Edit-Master Effect can be used to edit the program
for the sound you resampled, for example by adjust-
ing the filter, EG, or effects. (p.34, 67)
If you want to adjust the loop point or other settings
of the sample, edit these parameters in Sampling
mode. (p.43)
Sample an arpeggiated drum
phrase together with an exter-
nally-input guitar
Here’s how you can resample an arpeggiated perfor-
mance together with an external audio input source.
In this example, we will explain how a guitar connected to
the AUDIO INPUT jack can be played along to a drum
pattern played by the TRITON STUDIO, and how both
can be sampled together.
Sampling can be performed in a similar way in Com-
bination and Sequencer modes as well as in Program
mode.
The procedure given here assumes that you are start-
ing from the default state immediately after power-
on.
1. Select the program that you want to sam-
ple
1 Press the [PROG] key to enter Program mode, and
select the INT-B020: Processed Kit program.
2 Turn on the arpeggiator (ARPEGGIATOR [ON/OFF]
key LED is lit), and play the keyboard to make sure
that a drum phrase is sounded.
Press the Arpeggio tab, and make sure that “Latch” is
checked.
Also adjust the arpeggiator tempo “” as desired.
3 Press the ARPEGGIATOR [ON/OFF] key to turn off
the arpeggiator.
2. Connect your guitar and make input set-
tings
1 Connect your guitar to the rear panel AUDIO INPUT
1 jack.
Set the AUDIO INPUT [MIC/LINE] switch to the LINE
position, and set the [LEVEL] knob to approximately
the center position.
If you are using a guitar with passive pickups (i.e.,
without an internal pre-amp), the mismatch of
impedance levels will make it difficult to sample at an
appropriate level. You should route the signal from
the guitar through a pre-amp or effect unit.
Guitar