Korg sampler Musical Instrument User Manual

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Basic functions

Saving dataLoading dataProgram

settings

Combination

settings

Producing

songs

Sampling

settings

Creating a

SMF

playback

System

settings

Drum kit

settings

Arpeggiator

settings

Effects

settings

Other

functions

The structure of Sequencer mode

The following describes the structure of Sequencer mode.

(☞diagram below)

Songs

A song consists of tracks 1–16, a master track, song

parameters such as the song name, effect, arpeggiator and

RPPR parameters, and 100 user patterns.

A maximum of 200 such songs can be created on TRITON

STUDIO.

Tracks 1–16 and the master track each consist of setup

parameters located at the start location, and musical data

within the track.

Setup parameters

Tracks 1–16

Bank/Program No.*, PLAY/MUTE/REC, Pan*, Vol-

ume*, Track Play Loop, Loop Start Measure, Loop End

Measure, Play Intro, Status, MIDI Channel, Bank Select

(When Status=EX2), Force OSC Mode, OSC Select, Por-

tamento*, Transpose**, Detune**, Bend Range**, Delay,

Use Program's Scale, MIDI Filter, Key Zone, Velocity

Zone, Track Name, Arpeggiator Assign, IFX/Indiv.Out

BUS Select, Send1(MFX1)*, Send2(MFX2)*

Master track

Time signature*, Tempo*

Musical data

Tracks 1–16

Note On/Off, Program Change (including Bank

Select), Pitch Bend, After Touch (Poly After), Control

Change, Pattern No.

* When you change the setting during realtime-

recording, this will be recorded as musical data.

This allows the starting settings to be modiﬁed dur-

ing the playback.

** Musical data (MIDI RPN data) can be used to

change the starting settings during playback.

For details on control changes and RPN, refer to PG

p.260, 263.

Patterns

There are two types of patterns: preset patterns and user

patterns.

• Preset patterns: Patterns suitable for drum tracks are

preset in internal memory, and can be selected for any

song.

• User patterns: Each song can have up to 100 patterns.

When using a pattern in a different song, use the

Utility menu commands “Copy Pattern” or “Copy

From Song” etc. to copy the pattern. The pattern

length can be specified in units of a measure.

Each pattern consists of musical data for one track. It is

not possible to create patterns that contain multiple tracks.

These patterns can be used as track musical data by being

placed in a track (page menu command “Put to Track”) or

copied to a track (page menu command “Copy to Track”).

Alternatively, you can use a pattern with the RPPR func-

tion of a song.

Cue List

A cue list allows you to playback multiple songs in suc-

cession. The TRITON STUDIO allows you to create 20 cue

lists. Each cue list allows you to connect a maximum of 99

songs in any order, and to specify the number of times

that each song will repeat.

The page menu command “Convert to Song” lets you

convert the two or more songs in a cue list into a single

song. This allows you to use a cue list to create the back-

ing, then convert the cue list into a song and add solo

phrases on unused tracks.

Insert Effect 1 ... 5 : P8

AUDIO OUTPUT

L/MONO, R

Master Effect 1, 2 : P9

AUDIO OUTPUT

INDIVIDUAL 1,2,3,4

MasterEQ : P9

Controller Setup : P4- 4

Arpeggiator : P7

Routing : P8-1

Track

Insert Effect

Master Effect

Individual Outputs

Track 1