Filter
Top Products
221
Chapter 10 Examples of Applications Using the XV-5080
Chap.10
You can play these phrase loops in sync with the System
Tempo.
1. On the PATCH PLAY page, select a Patch that uses a
phrase loop.
2. Set the Patch Clock Source parameter (PATCH Common
General #2 page) to “SYSTEM.”
3. Call up the PATCH WG Parameter page.
4. Press TONE SELECT [1]–[4] to choose the Tone that uses
waveforms with BPM indication.
Waveform names that have a BPM number in the first part of
the name (such as “132: WAVE NAME”) are phrase loop
waveforms.
5. Confirm that Wave Tempo Sync is set to "ON."
6. Set the Time parameter (PATCH WG Parameter page) of
Tone Delay to “0.”
If you select a value other than 0, a delay will be applied, and
you will not be able to play the Patch normally.
7. Set the System Clock Source parameter (SYSTEM
General #1 page) to “INT.”
* When System Clock Source is set to “MIDI,” you can
synchronize the Multi-effect to the tempo of an external MIDI
device.
8. When the System Tempo (SYSTEM General #1 page)
changes, the speed of the phrase loop changes along with
it.
* The phrase loop will sound at the system’s tempo regardless of
which key you press. The settings for pitch and FXM will be
ignored.
Changing the Part Settings
from an External MIDI Device
By sending Control Change messages for different Part
settings, including volume, panning, and pitch, you can
change these settings from an external MIDI device
connected to the XV-5080. This lets you control fade-ins and
fade-outs, open and close filters, and exercise other controls
in real time from the external MIDI device.
The parameters that can be used for changing the settings
and the Control Change messages that can be used to change
the values are shown below.
For more detailed information about Control Change
messages, please refer to “MIDI Implementation” (p. 282).
To changing multi-effects, reverb, or chorus effects from an
external MIDI device, send a “System Exclusive message” (p.
285).
Making the Volume Change (p. 282)
• Volume: Controller number 7
Changing the Stereo Location (p. 282)
• Pan: Controller number 10
Applying Portamento (p. 283, p. 288)
• Portament: Controller number 65 (Portamento switch),
Controller number 5 (Portamento time)
Changing Sounds’ Attack and Release Time (p. 283)
• Rel: Controller number 72
• Atk: Controller number 73
Changing the Cutoff Frequency (p. 283)
• Cut: Controller number 74
Changing the Resonance (p. 283)
• Res: Controller number 71
Changing the Amount of Internal Chorus/Reverb (p. 284)
• Chorus: Controller number 93
• Reverb: Controller number 91
Changing the Pitch (p. 285)
• Coarse: Controller number 100 (value is 2), Controller
number 101 (value is 0), Controller number 6 (value is
16–112)
• Fine: Controller number 100 (value is 1), Controller
number 101 (value is 0), Controller number 6 (value is
32–96), Controller number 38 (value is 0–127)
When changing the Coarse parameter, set the amount of
change in pitch with the Control Number 6 (Data Entry MSB)
value. There is no change in pitch when the value is set to
“64.” The pitch is raised as the value increases from 64, and is
lowered the more the value decreases below 64.
When changing the Fine parameter, set the amount of change