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33
MR-8 Owner’s Manual
ENTER
MENU
CURSOR
UNDO
/REDO
CONTRAST
0 RETURN
TIME BASE
SELECT
STORE
B / OUT
A / INPLAY MODE
AUTO PUNCH
RESET
RECORD STOP PLAY
REWIND F FWD
MASTERING
BRIGHTNATURAL
POWERFUL
BOUNCE
1-6 > 7/8
1-4 > 5/6
HALL
DELAY
REC
SELECT
PA N
EFFECT
SEND
INPUT A
L
R
L
R
L
R
L
R
0
10
0
10
0
10
0
10
BRIT STACK US METAL
60's COMBO
DYNAMIC
CONDENSER
TUBE
REVERB / DELAY TIME
MIN
MAX
ROOM
PLATE
MIC SIMULATION
AMP SIMULATION
MIC
BAL
UNBAL
/GUITAR
BAL
UNBAL
MIN
MAX
2
1
R
L
PHONES
STEREO OUT
INPUT A
INPUT B
EFFECT
DISTORTIONTRIM
TRIM
PEAK
LINE MIC
PEAK
LINE MIC
MIN MAX
MASTER
7 / 8
5 / 6432
1
MAX
MIN
MAX
MIN
LOCATE REC END
LOCATE ABS ZERO
A - B PLAY
DIGITAL MULTITRACKER
-1
+1
LOCATE
7/8 >
+ - _ 0
A B C 1
D E F 2
G H I 3
J K L 4
Y Z 9
V W X 8
S T U 7
P Q R 6
M N O 5
NO
YES
GUITAR
PHONES VOL
INPUT A SELECT
COUNTER
STEREO
WAV FILE
DELETE
1
2
3
4
5
6
7
7
8
9
10
Point!
10
flashing
Remain
Recording onto two tracks
You can record a pair of tracks at a time. A pair can be tracks 1-2, 3-4, 5-6 or 7-8.
The following describes the procedure for recording a stereo keyboard onto tracks 5-6 while
listening to the guitar sound recorded on track 1.
Preparation for recording
1) Set the [INPUT A SELECT] switch to "MIC/LINE".
2) Connect stereo outputs of the keyboard to the
input connectors on the [INPUT A] and [INPUT B]
sections.
3) Press the [REC SELECT] key for track 5/6.
Track 5/6 is armed, while track number "5-6" starts
flashing on the screen.
In the song name display section on the screen, the
remaining time (available recording time) of the
card is shown.
4) Set the track 5/6 fader and [MASTER] fader to the
nominal position (marked by “
”).
Raising these faders allows you to monitor the
input sound. If these faders are not raised, you
cannot monitor the sound via headphones.
5) Press the [RECORD] key.
The armed tracks (tracks 5/6, in this case) now
changes from tape monitoring to input
monitoring, while " " is shown on the
screen.