Filter
Top Products
44
MR-8 Owner’s Manual
lights up
ENTER
MENU
CURSOR
UNDO
/REDO
CONTRAST
0 RETURN
TIME BASE
SELECT
STORE
B / OUT
A / INPLAY MODE
AUTO PUNCH
RESET
RECORD STOP PLAY
REWIND F FWD
MASTERING
BRIGHTNATURAL
POWERFUL
BOUNCE
1-6 > 7/8
1-4 > 5/6
HALL
DELAY
REC
SELECT
PA N
EFFECT
SEND
INPUT A
L
R
L
R
L
R
L
R
0
10
0
10
0
10
0
10
BRIT STACK US METAL
60's COMBO
DYNAMIC
CONDENSER
TUBE
REVERB / DELAY TIME
MIN
MAX
ROOM
PLATE
MIC SIMULATION
AMP SIMULATION
MIC
BAL
UNBAL
/GUITAR
BAL
UNBAL
MIN
MAX
2
1
R
L
PHONES
STEREO OUT
INPUT A
INPUT B
EFFECT
DISTORTIONTRIM
TRIM
PEAK
LINE MIC
PEAK
LINE MIC
MIN MAX
MASTER
7 / 8
5 / 6432
1
MAX
MIN
MAX
MIN
LOCATE REC END
LOCATE ABS ZERO
A - B PLAY
DIGITAL MULTITRACKER
-1
+1
LOCATE
7/8 >
+ - _ 0
A B C 1
D E F 2
G H I 3
J K L 4
Y Z 9
V W X 8
S T U 7
P Q R 6
M N O 5
NO
YES
GUITAR
PHONES VOL
INPUT A SELECT
COUNTER
STEREO
WAV FILE
5
3
5
4
1
2
3, 5
5
5
6
6
Before executing track bounce, you can rehearse it. During rehearsal, you can control the playback
level, panning and reverb (or delay) send setting of each source track, as well as apply the mastering
effect to the mixed L/R signals. We recommend to make rehearsal thoroughly until you satisfy the
sound. The following shows the rehearsal procedure in the "1-6 > 7/8" mode. We assume that record-
ings have been already made to tracks 1 through 6.
lights up
flashing
1) Select the song you are going to bounce tracks.
2) Use the [1-4 > 5/6, 1-6 > 7/8] key to select "1-6 > 7/8"
bounce mode.
Selecting this bounce mode automatically arms
tracks 7/8 and changes the monitoring for these
tracks to input monitoring.
3) Raise the [7/8] fader and [MASTER] fader to the
"
" position. Set all the other track faders to the
minimum position.
4) Press the [PLAY] key to start playback from the
beginning of the song.
5) While playing back, adjust playback levels of tracks
1 through 4 and 5/6 using the appropriate track
faders.
You can also adjust panning for tracks 1 through 4,
apply the reverb or delay to these tracks, as well as
apply the mastering effect to the mixed sound.
During rehearsal and actual track bouncing, the
track faders and [MASTER] fader control the
following signals.
Fader
1 through 4
Signal levels of tracks 1 through 4 for re-
cording.
Fader 5/6
Fader 7/8
[MASTER]
fader
Signal levels of tracks 5/6 for recording.
Monitor levels of tracks 7/8.
Recording master level of tracks 7/8.
Rehearsal of track bounce