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Audio In
If this is selected, the waveform input from the AUDIO IN
1 or AUDIO IN 2 jack will be used.
This allows the MS2000/MS2000R to be used as an effect
processor.
• Control1
This adjusts the volume balance between AUDIO IN 1
and AUDIO IN 2. With a setting of 0 only AUDIO IN 1
will be output. With a setting of 127, only AUDIO IN 2
will be output.
• Control2
LFO1 is used to apply modulation to the volume balance
between AUDIO IN 1 and AUDIO IN 2 that you set by
“Control1.” The “Control2” setting sets the depth of this
modulation produced by LFO1.
A: Wave ❮ WAVE ❯ ................................ [Saw, Squ, Tri]
Select the waveform for oscillator 2.
Saw
A sawtooth wave, suitable for creating typical analog syn-
thesizer sounds such as synth bass and synth brass.
Squ
A square wave, suitable for creating electronic sounds or
simulating woodwinds such as clarinet.
Tri
A triangle wave, with weaker overtones and stronger fun-
damental than a sawtooth wave or square wave.
B: OSC Mod ❮ OSC MOD ❯...................[OFF...RingSync]
Select the modulation type for the oscillator.
OFF
Output without applying modulation. By adjusting “Semi-
tone” and “Tune,” you can produce a spacious detuning
effect. For synth bass sounds, set the pitch of oscillators 1
and 2 one octave apart.
Ring
This modulation generates frequency components that are
the sum and difference of the oscillator 1 and 2 wave-
forms. By adjusting “Semitone” and “Tune” you can create
metallic sounds with little sense of pitch. This is effective
for sound effects.
Sync
This modulation forcibly synchronizes oscillator 2 to the
phase of oscillator 1, forcibly resetting the phase of oscilla-
tor 2.
This is effective on synth lead sounds. Use “Semitone” and
“Tune” to adjust the overtones.
RingSync
This simultaneously applies Ring and Sync modulation.
C: Semitone ❮ SEMITONE ❯ ......................... [–24...+24]
Specify the amount of detune for OSC2 relative to OSC1, in
semitone steps.
With a value of 0, the pitch of OSC2 will be the same as
OSC1.
A setting of ±12 produces a pitch difference of one octave,
and ±24 produces a pitch difference of two octaves.
D: Tune ❮ TUNE ❯........................................ [–63...+63]
Specify the amount of detune for OSC2 relative to OSC1.
A setting of ±63 produces a pitch difference of ±2 octaves,
and ±48 produces a pitch difference of ±1 octave. A value
near 0 will make fine adjustments in the pitch.
If “OSC Mod” is set to Sync, adjustments in “Semitone”
or “Tune” will change the pitch of the overtones. The
pitch of the fundamental will not change.
■ MIXER
These parameters affect the output level of each oscillator.
These settings will be the input level to the filter.
A: OSC 1 Level ❮ OSC1 ❯ ............................[000...127]
Set the output level of oscillator 1.
B: OSC 2 Level ❮ OSC2 ❯ ............................[000...127]
Set the output level of oscillator 2.
C: Noise Level ❮ NOISE ❯ ............................[000...127]
Set the output level of the noise generator.
Page06: OSC 2
OSC1 Wave
OSC2 Wave
OSC1 Output
OSC2 Output
Page07: MIXER
OSC1 Wave
OSC2 Wave
OSC1 Output
OSC2 Output
Sync
OSC1 Wave
OSC2 Wave
Sync
OSC1 Output
OSC2 Output