Korg MS2000 Musical Instrument User Manual


 
Appendices
73
Troubleshooting
Before you suspect a malfunction, please check the following
points.
Power does not turn on
Is the power cable connected to the outlet?................ p.10
Is the [POWER/VOLUME] knob turned on? ............ p.12
No sound
Are the connected devices or headphones connected to
the correct jack(s)?.......................................................... p.10
Are the connected devices powered-on?
Is the [POWER/VOLUME] knob set to a position where
sound will be output?.................................................... p.12
Is the Global mode Page 3B: MIDI “Local” setting
turned ON? ..................................................................... p.54
Were any volume-related parameters set to a value of 0?
..................................................................................... p.38, 40
Was the FILTER “Cutoff” set to 0?............................... p.39
If a pedal is connected to the MS2000/MS2000R, is the
pedal in a position for which no sound will be pro-
duced?
Sound does not stop
Is the Global mode Page 6A: PEDAL & SW “A.Switch”
setting appropriate for the pedal switch that is connected?
p.57
Can’t write programs or global settings
Is Global mode Page 2A: MEMORY “Protect” turned OFF?
p.30, 54
Transpose or velocity curve is not transmitted/
received correctly
Is Global mode Page 1C: Global “Position” set appropriately?
p.53
Arpeggios do not start
Is the arpeggiator turned on ([ON/OFF] key lit)?..... p.15
Is Global mode Page 3C: MIDI “Clock” set to Internal?
........................................................................................... p.54
No response to MIDI messages sent from an
external device
Is the MIDI cable connected correctly? ....................... p.10
Does the MIDI channel of the data transmitted from the
external MIDI device match the global MIDI channel of
the MS2000/MS2000R? ..................................................p.11
Does not respond correctly to MIDI messages sent
from an external device
Are the various parameters of Global mode Page 4:
MIDI FILTER set to ENA?............................................. p.55
Specifications and options
Tone generator system
Analog modeling synthesis system
•Synth programs
Multi-timbral capability: maximum two timbres (for Split/Dual)
4 voices, 2 oscillators + noise generator, EG × 2, LFO × 2, virtual
patch × 4, MOD sequence (maximum 16 steps × 3)
•Vocoder programs
4 voices, 1 oscillator + noise generator, EG × 2, LFO × 2
16 channel vocoder, adjustable level and pan for each channel, For-
mant Shift function
Tone generator
•4 voice, 2 oscillator + noise generator
Keyboard (MS2000)
•44 notes (no aftertouch)
Effects
•Modulation effect (3 types), delay (3 types), equalizer
Arpeggiator
•6 types
Programs
•16 programs × 8 (total 128 programs)
Inputs
•AUDIO IN 1 jack
Input impedance 39 [k]
Maximum input level –3.5 [dBu] (AUDIO IN [1/INST] knob:
Max)
Source impedance 600 []
•AUDIO IN 2 jack (with MIC/LINE switch)
AUDIO IN 2 [LINE]
Input impedance 39 [k]
Maximum input level –3.5 [dBu] (AUDIO IN [2/VOICE] knob:
Max)
Source impedance 600 []
AUDIO IN 2 [MIC]
Input impedance 22 [k]
Maximum input level –33 [dBu] (AUDIO IN [2/VOICE] knob:
Max)
Source impedance 600 []
Outputs
•L/MONO, R jacks
Output impedance 1.1 [k] (MONO: 550)
Maximum output level +6.5 [dBu]
Load impedance 100 [k]
•Headphone jack
Output impedance 10 []
Maximum output level 35 [mW]
Load impedance 33 []
Control inputs
•ASSIGNABLE PEDAL jack
•ASSIGNABLE SW jack
MIDI
•IN, OUT, THRU connectors
Display
•16 character (8 × 5 pixel) × 2 line LCD module (with backlight)
Power supply
•DC 9V, 8 W
Dimensions
•MS2000: 737.8 (W) × 371.3 (D) × 147.7 (H) mm
•MS2000R: 482.0 (W) × 233.2 (D) × 87.1 (H) mm [five-space rack
mount]
Weight
•MS2000: 7.1 kg
•MS2000R: 2.8 kg
Included items
•AC adapter (DC9V)
•Washers ×4, Bushing ×4, Screws ×4 (MS2000R only)
Options
•EXP-2 expression pedal
•XVP-10 EXP/VOL pedal
•PS-1 pedal switch
•DS-1H damper pedal
* Appearance and specifications of this product are subject to change without
notice.