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113
Effect/Parameter List
Appendices
Flg Bal (Flanger Balance) #
Adjust the volume balance between the overdrive sound that is
sent through the flanger and the overdrive sound that is not
sent through the flanger. With a setting of “D100:0W,” only the
overdrive sound will be output. With a setting of “D0:100W,”
only the overdrive sound that is sent through the flanger will be
output.
Level (Output Level)
Adjust the output level.
28: OD
→
DELAY (Overdrive
→
Delay)
This effect connects an overdrive and a delay in series.
OD Drive
Adjust the degree of overdrive distortion. The volume will
change together with the degree of distortion.
OD Pan (Overdrive Pan) #
Adjust the stereo location of the overdrive sound. L64 is far left,
0 is center, and 63R is far right.
Dly Time (Delay Time)
Adjust the time delay from when the direct sound begins until
the delay sound is heard.
Delay Fbk (Delay Feedback Level)
Adjust the proportion (%) of the delay sound that is fed back
into the effect. Negative (-) settings will invert the phase.
Dly HFDmp
Adjust the frequency above which delayed sound fed back to
the effect will be cut. If you do not want to cut the high
frequencies of the feedback, set this parameter to BYPASS.
Delay Bal (Delay Balance) #
Adjust the volume balance between the overdrive sound that is
sent through the delay and the overdrive sound that is not sent
through the delay. With a setting of “D100:0W,” only the
overdrive sound will be output. With a setting of “D0:100W,”
only the overdrive sound that is sent through the delay will be
output.
Level (Output Level)
Adjust the output level.
29: DIST
→
CHORUS (Distortion
→
Chorus)
This effect connects distortion and chorus in series. The
parameters are essentially the same as “26: OD
→
CHORUS,”
with the exception of the following two.
OD Drive
→
Dst Drive (Specify the amount of distortion.)
OD Pan
→
Dist Pan (Specify the stereo location of the
distortion sound.)
30: DIST
→
FLANGER (Distortion
→
Flanger)
This effect connects distortion and flanger in series. The
parameters are essentially the same as in “27: OD
→
FLANGER,”
with the exception of the following two.
OD Drive
→
Dst Drive (Specify the amount of distortion.)
OD Pan
→
Dist Pan (Specify the stereo location of the
distortion sound.)
31: DIST
→
DELAY (Distortion
→
Delay)
This effect connects distortion and delay in series. The
parameters are essentially the same as in “28: OD
→
DELAY,”
with the exception of the following two.
OD Drive
→
Dst Drive (Specify the amount of distortion.)
OD Pan
→
Dist Pan (Specify the stereo location of the
distortion sound.)
32: ENHAN
→
CHORUS (Enhancer
→
Chorus)
This effect connects an enhancer and a chorus in series.
Enh Sens (Enhancer Sensitivity) #
Adjust the sensitivity of the enhancer.
Enh Mix (Enhancer Mix Level)
Adjust the ratio with which the overtones generated by the
enhancer are combined with the direct sound.
Cho Delay (Chorus Pre Delay Time)
Adjust the time delay from when the direct sound begins until
the chorus sound is heard.
Cho Rate (Chorus Rate)
Adjust the modulation speed of the chorus effect.
Cho Depth (Chorus Depth)
Adjust the modulation depth of the chorus effect.
Cho Bal (Chorus Balance) #
Adjust the volume balance between the enhancer sound that is
sent through the chorus and the enhancer sound that is not sent
through the chorus. With a setting of “D100:0W,” only the
enhancer sound will be output. With a setting of “D0:100W,”
only the enhancer sound that is sent through the chorus will be
output.
Level (Output Level)
Adjust the output level.
33: ENHAN
→
FLANGER (Enhancer
→
Chorus)
This effect connects an enhancer and a flanger in series.
Enh Sens (Enhancer Sensitivity) #
Adjust the sensitivity of the enhancer.
Enh Mix (Enhancer Mix Level)
Adjust the ratio with which the overtones generated by the
enhancer are combined with the direct sound.
Flg Dly (Flanger Pre Delay Time)
Adjust the time delay from when the direct sound begins until
the flanger sound is heard.
Flg Rate (Flanger Rate)
Adjust the modulation speed of the flanger effect.
Flg Depth (Flanger Depth)
Adjust the modulation depth of the flanger effect.
Flg Fbk (Flanger Feedback Level)
Adjust the proportion (%) of the flanger sound that is fed back
into the effect. Negative (-) settings will invert the phase.
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