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ç‡ÒÚÓÈ͇ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚: Function
135
CVP-206/204
îÛÌ͈ËË, ÛÔ‡‚ÎflÂÏ˚ Ô‰‡ÎflÏË
* ç‡ËÎÛ˜¯Ë ÂÁÛθڇÚ˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚÓÎΠYamaha FC7, ‚Íβ˜‡ÂÏ˚È ‚ ÍÓÏÔÎÂÍÚ ÔÓ Ê·Ì˲ ÔÓÍÛÔ‡ÚÂÎfl.
ì͇Á‡ÌÌ˚ ÌËÊ ԇ‡ÏÂÚ˚ Á‡‰‡˛ÚÒfl ÍÌÓÔ͇ÏË [2▲▼] - [8▲▼]. äÌÓÔÍË Á‡‰ÂÈÒÚ‚Û˛ÚÒfl Ò Û˜ÂÚÓÏ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ Ô‡‡ÏÂÚ‡. ç‡ÔËÏÂ, ÂÒÎË ‚ ͇˜ÂÒÚ‚Â ÚËÔ‡
‚˚·‡Ì SUSTAIN, ̇ ˝Í‡Ì ‡‚ÚÓχÚ˘ÂÒÍË ÔÓfl‚Îfl˛ÚÒfl Ô‡‡ÏÂÚ˚ «HALF PEDAL POINT», «MAIN», «LAYER» Ë «LEFT».
* ç‡ËÎÛ˜¯Ë ÂÁÛθڇÚ˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚÓÎΠYamaha FC7, ‚Íβ˜‡ÂÏ˚È ‚ ÍÓÏÔÎÂÍÚ ÔÓ Ê·Ì˲ ÔÓÍÛÔ‡ÚÂÎfl.
VOLUME* èÓÁ‚ÓÎflÂÚ ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÌÓÊÌÓ ÛÔ‡‚ÎÂÌË „ÓÏÍÓÒÚ¸˛ (ÚÓθÍÓ ÔË ËÒÔÓθÁÓ‚‡ÌËË Ô‰‡ÎË AUX).
SUSTAIN ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ÔÓË„˚‚‡ÂÏ˚ ÌÓÚ Á‚Û˜‡Ú ‰Óθ¯Â. ÖÒÎË Ô‰‡Î¸ ÓÚÔÛÒÚËÚ¸, Á‚Û˜‡ÌË ÔӉ΂‡‚¯ËıÒfl ÌÓÚ Ï„ÌÓ‚ÂÌÌÓ
ÔÂ͇˘‡ÂÚÒfl (Á‡„ÎÛ¯‡ÂÚÒfl).
SOSTENUTO ÖÒÎË ‚˚ ̇ÊÏÂÚÂ Ë Û‰ÂÊËÚ Ô‰‡Î¸, ‚Íβ˜‡˛˘Û˛ ˝ÚÓÚ ˝ÙÙÂÍÚ, ÚÓ «ÔӉ΂‡Ú¸Òfl» ·Û‰ÂÚ ÚÓθÍÓ Ô‚‡fl ÌÓÚ‡ (ÌÓÚ‡, Ò˚„‡Ì̇fl Ë
Û‰ÂÊË‚‡Âχfl ÍÓ„‰‡ ̇ʇڇ Ô‰‡Î¸). ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ÔÓ‰ÎËÚ¸ Á‚Û˜‡ÌË ‡ÍÍÓ‰‡, ÂÒÎË, ̇ÔËÏÂ, ÌÓÚ˚, Ë‰Û˘Ë ‚ÒΉ Á‡
‡ÍÍÓ‰ÓÏ, Ë„‡˛ÚÒfl ÒÚ‡Í͇ÚÓ.
SOFT ç‡Ê‡ÚË ̇ Ô‰‡Î¸ ÔË‚Ó‰ËÚ Í Ì·Óθ¯ÓÏÛ ÒÌËÊÂÌ˲ „ÓÏÍÓÒÚË Ë Î„ÍÓÏÛ ËÁÏÂÌÂÌ˲ ÚÂÏ·‡. ùÚÓÚ ˝ÙÙÂÍÚ ÒΉÛÂÚ ÔËÏÂÌflÚ¸ Î˯¸ Í
ÌÂÍÓÚÓ˚Ï ÚÂÏ·‡Ï – ̇ÔËÏÂ, PIANO (ÙÓÚÂÔˇÌÓ).
GLIDE ç‡Ê‡ÚË ̇ Ô‰‡Î¸ ÔË‚Ó‰ËÚ Í Ò‰‚Ë„Û ‚˚ÒÓÚ˚, ÍÓÚÓ‡fl ‚ÌÓ‚¸ ÔËıÓ‰ËÚ ‚ ÌÓÏÛ ÔË ÓÚÔÛÒ͇ÌËË Ô‰‡ÎË.
PORTAMENTO ÖÒÎË Ô‰‡Î¸ ̇ʇڇ ÒÓÁ‰‡ÂÚÒfl ˝ÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ (Ô·‚ÌÓ ÒÍÓθÊÂÌË Á‚Û͇ ÏÂÊ‰Û ÌÓÚ‡ÏË). ùÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ ÒÓÁ‰‡ÂÚÒfl ÔË Ë„Â
΄‡ÚÓ (Ú.Â. ÔÓÒÎÂ‰Û˛˘‡fl ÌÓÚ‡ Ë„‡ÂÚÒfl ‚ ÏÓÏÂÌÚ, ÍÓ„‰‡ Ô‰˚‰Û˘‡fl Â˘Â Û‰ÂÊË‚‡ÂÚÒfl). ÇÂÏÂÌÌ˚ „‡Ìˈ˚ ÔÓÚ‡ÏÂÌÚÓ
ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ̇ ˝Í‡Ì Mixing Console (ÒÚ. 124). ç ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
PITCHBEND*
ÖÒÎË Ô‰‡Î¸ ̇ʇڇ, ‚˚ÒÓÚ‡ ÌÓÚ˚ ÔÓ‚˚¯‡ÂÚÒfl ËÎË ÔÓÌËʇÂÚÒfl. í‡ÍËÏ Ó·‡ÁÓÏ Ì‡Òڇ˂‡˛ÚÒfl Ô‰‡Î¸ AUX Ë Ô‡‚‡fl Ô‰‡Î¸ ˆËÙÓ‚Ó„Ó
ÔˇÌËÌÓ CVP-206.
MODULATION* ÇÍβ˜‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ ‰Îfl ÌÓÚ, Ò˚„‡ÌÌ˚ı ̇ Í·‚ˇÚÛÂ. ÉÎÛ·Ë̇ ˝ÙÙÂÍÚ‡ Û‚Â΢˂‡ÂÚÒfl, ÂÒÎË Ô‰‡Î¸ ̇ʇڇ. ç ËÒÔÓθÁÛÂÚÒfl
‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
DSP VARIATION Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [VARIATION]. ç ËÒÔÓθÁÛÂÚÒfl ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
VIBROTOR ON/OFF ÇÍβ˜‡ÂÚ Ë ÓÚÍβ˜‡ÂÚ ÚËÔ ˝ÙÙÂÍÚ‡ «VibRotor» (ÒÚ. 125). íÓθÍÓ ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
HARMONY/ECHO Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [HARMONY/ECHO].
SCORE PAGE+
äÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇, ÏÓÊÌÓ ÔÂÂÈÚË Í Ô‰˚‰Û˘ÂÈ ÒÚ‡Ìˈ ԇÚËÚÛ˚ (ÚÓθÍÓ Ì‡ Ó‰ÌÛ ÒÚ‡ÌËˆÛ Ì‡Á‡‰).
SCORE PAGE-
äÓ„‰‡ ÔÂÒÌfl ÓÒÚ‡ÌÓ‚ÎÂ̇, ÏÓÊÌÓ ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡Ìˈ ԇÚËÚÛ˚ (ÚÓθÍÓ Ì‡ Ó‰ÌÛ ÒÚ‡ÌËˆÛ ‚Ô‰).
SONG START/STOP Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ SONG [START/STOP].
STYLE START/STOP Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ STYLE [START/STOP].
TAP TEMPO Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [TAP TEMPO].
SYNCHRO START Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [SYNC. START].
SYNCHRO STOP Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [SYNC. STOP].
INTRO Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [INTRO].
MAIN A Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [MAIN A].
MAIN B Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [MAIN B].
MAIN C Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [MAIN ë].
MAIN D Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [MAIN D].
FILL DOWN à„‡ÂÚÒfl ‚ÒÚ‡‚͇, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓχÚ˘ÂÒÍË ÒΉÛÂÚ ˜‡ÒÚ¸ Main ·ÎËʇȯÂÈ ÍÌÓÔÍË Ò΂‡.
FILL SELF ÑÓ·‡‚ÎÂÌË ‚ÒÚ‡‚ÍË.
FILL BREAK ÑÓ·‡‚ÎÂÌË ·ÂÈ͇.
FILL UP à„‡ÂÚÒfl ‚ÒÚ‡‚͇, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓχÚ˘ÂÒÍË ÒΉÛÂÚ ˜‡ÒÚ¸ Main ·ÎËʇȯÂÈ ÍÌÓÔÍË ÒÔ‡‚‡.
ENDING Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [ENDING/rit.].
FADE IN/OUT Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [FADE IN/OUT].
FING/ON BASS 艇θ ÒÎÛÊËÚ ÔÂÂÍβ˜‡ÚÂÎÂÏ ÏÂÊ‰Û ‡ÔÔÎË͇ÚÛ‡ÏË Fingered Ë On Bass (ÒÚ. 66).
BASS HOLD èÓ͇ Ô‰‡Î¸ ̇ʇڇ, ·‡ÒÓ‚‡fl ÌÓÚ‡ ÒÚËÎfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÔÓ‰ÓÎʇڸ Á‚Û˜‡Ú¸, ‰‡Ê ÂÒÎË ÒÏÂÌËÚÒfl ‡ÍÍÓ‰. ùÚ‡ ÙÛÌ͈Ëfl ÌÂ
‡·ÓÚ‡ÂÚ, ÂÒÎË ‰Îfl ‡ÔÔÎË͇ÚÛ˚ ‚˚·‡Ì Ô‡‡ÏÂÚ FULL KEYBOARD.
PERCUSSION ë ÔÓÏÓ˘¸˛ Ô‰‡ÎË ÏÓÊÌÓ Ë„‡Ú¸ Û‰‡Ì˚Ï ËÌÒÚÛÏÂÌÚÓÏ, Á‡‰‡ÌÌ˚Ï Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ [4
▲▼] - [8▲▼]. ÑÎfl ‚˚·Ó‡ ËÌÒÚÛÏÂÌÚ‡ ÏÓÊÌÓ
Ú‡ÍÊ ‚ÓÒÔÓθÁÓ‚‡Ú¸Òfl Í·‚ˇÚÛÓÈ.
LAYER ON/OFF Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [LAYER].
LEFT ON/OFF Ä̇Îӄ˘ÌÓ ÍÌÓÔÍ [LEFT].
OTS+ Ç˚ÁÓ‚ ÒÎÂ‰Û˛˘ÂÈ ÔÓ ÔÓfl‰ÍÛ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË».
OTS- Ç˚ÁÓ‚ Ô‰˚‰Û˘ÂÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌË».
SONG, STYLE, MIC (ÚÓθÍÓ ‰Îfl
CVP-206), LEFT, LAYER, MAIN
ëÎÛÊËÚ ‰Îfl Û͇Á‡ÌËfl ÛÔ‡‚ÎflÂÏ˚ı Ô‰‡Î¸˛ ˜‡ÒÚÂÈ.
HALF PEDAL POINT* åÓÊÌÓ Û͇Á‡Ú¸, ̇ÒÍÓθÍÓ ÒËθÌÓ ÒΉÛÂÚ Ì‡Ê‡Ú¸ ̇ Ô‡‚Û˛ Ô‰‡Î¸, ˜ÚÓ·˚ Ò‡·ÓڇΠÔÂÂÍβ˜‡ÚÂθ (ÒÚ. 62). ùÚÓ ÔËÏÂÌËÏÓ ‰Îfl
ÓÔ‰ÂÎÂÌÌÓ„Ó ÚËÔ‡ Ô‰‡ÎÂÈ, Ú‡ÍËı Í‡Í AUX (YAMAHA FC7) ËÎË Ô‡‚‡fl Ô‰‡Î¸ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ CVP-206.
DEPTH éÔ‰ÂÎflÂÚ „ÎÛ·ËÌÛ ˝ÙÙÂÍÚ‡ ΂ÓÈ Ô‰‡ÎË, ÍÓ‰‡ ‚˚·‡Ì SOFT. íÓθÍÓ ‰Îfl ÚÂÏ·Ó‚ „ÛÔÔ˚ Natural.
UP/DOWN
Ç˚·‡‚ ÙÛÌÍˆË˛ GLIDE ËÎË PITCH BEND, ‚˚ ÏÓÊÂÚ ÛÔ‡‚ÎflÚ¸ ËÁÏÂÌÂÌËÂÏ ‚˚ÒÓÚ˚ Á‚Û͇ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË. èË Ì‡Ê‡ÚËË Ô‰‡ÎË ‚˚ÒÓÚ‡
ÔÓÌËʇÂÚÒfl, ‡ ÔË ÓÚÔÛÒ͇ÌËË – ÔÓ‚˚¯‡ÂÚÒfl.
RANGE Ç˚·‡‚ ÙÛÌÍˆË˛ GLIDE ËÎË PITCH BEND, ‚˚ ÏÓÊÂÚ ÛÔ‡‚ÎflÚ¸ ËÁÏÂÌÂÌËÂÏ ‚˚ÒÓÚ˚ Á‚Û͇ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË, Û͇Á˚‚‡fl ‰Ë‡Ô‡ÁÓÌ
ËÁÏÂÌÂÌËfl ‚ ÔÓÎÛÚÓ̇ı.
ON SPEED ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE, ÏÓÊÌÓ, ̇ʇ‚ ̇ Ô‰‡Î¸, Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇.
OFF SPEED ÖÒÎË ‚˚·‡Ì‡ ÙÛÌ͈Ëfl GLIDE, ÏÓÊÌÓ, ÓÚÔÛÒÚË‚ Ô‰‡Î¸, Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇.
KIT ÖÒÎË Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl PERCUSSION, ̇ʇÚË ̇ Ô‰‡Î¸ ÔË‚Ó‰ËÚ Í ÓÚÓ·‡ÊÂÌ˲ ‚ÒÂı Ëϲ˘ËıÒfl Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ.
í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ‚˚·‡Ú¸ ÓÔ‰ÂÎÂÌÌÛ˛ Û‰‡ÌÛ˛ ÛÒÚ‡ÌÓ‚ÍÛ, ÛÔ‡‚ÎflÂÏÛ˛ Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË.
PERCUSSION ÖÒÎË Ô‰‡ÎË ÔËÒ‚ÓÂ̇ ÙÛÌ͈Ëfl PERCUSSION, ̇ʇÚË ̇ Ô‰‡Î¸ ÔË‚Ó‰ËÚ Í ÓÚÓ·‡ÊÂÌ˲ ‚ÒÂı Á‚ÛÍÓ‚, ÍÓÚÓ˚ÏË ‡ÒÔÓ·„‡ÂÚ
‚˚·‡Ì̇fl Û‰‡Ì‡fl ÛÒÚ‡Ìӂ͇ (ÒÏ ÙÛÌÍˆË˛ KIT ÒÚÓÍÓÈ ‚˚¯Â). í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸ ‚˚·‡Ú¸ Á‚ÛÍ
ÓÔ‰ÂÎÂÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡, ÛÔ‡‚ÎflÂÏ˚È Ò ÔÓÏÓ˘¸˛ Ô‰‡ÎË.