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39
Chapter 2. Using Effects
36 DISTORTION DIST TONE LEVEL
Severely distorts the sound. Adjusts the amount of distor-
tion.
Adjusts the tone. Adjusts the volume.
37 FUZZ DRIVE TONE LEVEL
Adds new overtones to the
sound, distorting it severely.
Adjusts the amount of distor-
tion.
Adjusts the tone. Adjusts the volume.
38 WAH SENS FREQ PEAK
Produces a wah effect. Adjusts the sensitivity of the
wah effect.
Adjusts the frequency of the ef-
fect sound.
Adjusts the peak level of the
wah.
39 CENTER CANCELER
L-R BAL LO BOOST HI BOOST
Cancels sounds that are local-
ized at the center of the sound
field, such as vocals.
Finds the point at which the
sound is cancelled most effec-
tively.
Boosts the low-frequency
sounds localized at the center
of the sound field, such as bass.
Boosts the high-frequency
range.
40 CHROMATIC P.S. PITCH1 PITCH2 BALANCE
This is a two-voice pitch shifter
that lets you adjust the pitch in
semitone steps.
Adjusts pitch 1 in semitone
steps over a range of +/-1 oc-
tave.
Adjusts pitch 2 in semitone
steps over a range of +/-1 oc-
tave.
Adjusts the balance between
the effect sound and direct
sound.
41 VOICE TRANSFORMER FORMANT E.LEVEL D.LEVEL
Processes a human voice to cre-
ate a variety of vocal charac-
ters.
Adjusts the vocal formant
(character).
Adjusts the volume of the ef-
fect sound.
Adjusts the volume of the di-
rect sound.
42 OCTAVE -2OCT -1OCT D.LEVEL
Adds lower octaves to the
sound.
Adds the sound two octaves
below.
Adds the sound one octave be-
low.
Adjusts the volume of the di-
rect sound.
43 SUBSONIC THRESHOLD RELEASE BALANCE
Adds a sine wave of approxi-
mately 30 Hz according to the
volume of the input source
coming into the effect. By add-
ing a small amount of this to
(for example) a kick drum, you
can create a fatter kick
sound.(
*1
)
Adjusts the volume level at
which the sine wave begins to
sound.
Adjusts the time over which
the sine wave disappears when
the input source falls below the
threshold.
Adjusts the volume balance be-
tween the direct sound (D) and
effect sound (E).
44 OSCILLATOR(PAD)
TUNE OSC WAVE BALANCE
Uses DSP to simulate a synthe-
sizer oscillator. You can use the
pads to change the pitch of the
oscillator. (
*1
)
*
You can create a simple DSP
synthesizer by selecting “OS-
CILLATOR” for MFX1 and
“ENVELOPER” for MFX2.
Adjusts the pitch of the oscilla-
tor sound.
Selects the waveform of the os-
cillator.
Adjusts the volume balance be-
tween the direct sound (D) and
effect sound (E).
45 ENVELOPER(PAD)
CUTOFF
RESO RELEASE
Uses DSP to simulate an enve-
lope follower. You can use the
pads to vary the envelope. (
*1
)
*
You can create a simple DSP
synthesizer by selecting “OS-
CILLATOR” for MFX1 and
“ENVELOPER” for MFX2.
Adjusts the cutoff frequency. Adjusts the amount of boost
applied at the region of the cut-
off frequency.
Adjusts the time from when
you press a pad until the maxi-
mum volume is reached.
MFX CTRL 1 CTRL 2 CTRL 3
TRI
(Triangle wave)
SAW
(Sawtooth wave)
PLS1
PLS2
PLS3
PLS4
PLS5
PLS6
PLS7
PLS8
PLS9
PWM = 0 : PLS1, PLS2, PLS3
PWM = llight : PLS4, PLS5, PLS6
PWM = deep : PLS7, PLS8, PLS9
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