Roland VR-760 Musical Instrument User Manual


 
93
Effects/Parameter List
Appendices
13: SPACE-D
This is a multiple chorus that applies two-phase modulation in
stereo. It gives no impression of modulation, but produces a
transparent chorus effect.
14: STEREO CHORUS
This is a stereo chorus. A filter is provided so that you can adjust the
timbre of the chorus sound.
15: ST.FLANGER (Stereo Flanger)
This is a stereo flanger. (The LFO has the same phase for left and
right.) It produces a metallic resonance that rises and falls like a jet
airplane taking off or landing. A filter is provided so that you can
adjust the timbre of the flanged sound.
16: STEP FLANGER
This is a flanger in which the flanger pitch changes in steps. The
speed at which the pitch changes can also be specified in terms of a
note-value of a specified tempo.
17: STEREO DELAY
This is a stereo delay.
When Mode is NORMAL:
fig.02-017am
When Mode is CROSS:
fig.02-017bm
Parameter Value Explanation
Pre Delay 0.0–100.0 ms Adjusts the delay time from the di-
rect sound until the chorus sound
is heard.
Rate # 0.05–10.00 Hz Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0–180˚ Spatial spread of the sound
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance # D100:0W–D0:100W Volume balance between the direct
sound (D) and the chorus sound
(W)
Level 0–127 Output Level
Parameter Value Explanation
Pre Delay 0.0–100.0 ms Adjusts the delay time from the di-
rect sound until the chorus sound
is heard.
Rate # 0.05–10.00 Hz Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0–180˚ Spatial spread of the sound
Filter OFF, LPF, HPF Type of filter
OFF: no filter is used
LPF: cuts the frequency range
above the Cutoff Freq
HPF: cuts the frequency range
below the Cutoff Freq
Cutoff 200–8000 Hz Basic frequency of the filter
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance # D100:0W–D0:100W Volume balance between the direct
sound (D) and the chorus sound
(W)
Level 0–127 Output Level
Parameter Value Explanation
Pre Delay 0.0–100.0 ms Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
Rate # 0.05–10.00 Hz Frequency of modulation
Depth 0–127 Depth of modulation
Feedback # -98–+98% Adjusts the proportion of the
flanger sound that is fed back into
the effect. Negative (-) settings will
invert the phase.
Phase 0–180˚ Spatial spread of the sound
Filter OFF, LPF, HPF Type of filter
OFF: no filter is used
LPF: cuts the frequency range
above the Cutoff Freq
HPF: cuts the frequency range
below the Cutoff Freq
Cutoff 200–8000 Hz Basic frequency of the filter
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance D100:0W–D0:100W Volume balance between the direct
sound (D) and the flanger sound
(W)
Level 0–127 Output Level
Parameter Value Explanation
Pre Delay 0.0–100.0 ms Adjusts the delay time from when
the direct sound begins until the
flanger sound is heard.
Rate 0.05–10.00 Hz Frequency of modulation
Depth 0–127 Depth of modulation
Feedback # -98–+98% Adjusts the proportion of the
flanger sound that is fed back into
the effect. Negative (-) settings will
invert the phase.
Phase 0–180˚ Spatial spread of the sound
Step Rate # 0.10–20.00 Hz, note Rate (period) of pitch change
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance D100:0W–D0:100W Volume balance between the direct
sound (D) and the flanger sound
(W)
Level 0–127 Output Level
Parameter Value Explanation
Delay L 0.0–500.0 ms Adjusts the delay time from the di-
rect sound until the delay sound is
heard.
Delay R
Feedback # -98–+98% Adjusts the proportion of the delay
sound that is fed back into the ef-
fect. Negative (-) settings will in-
vert the phase.
Mode NORMAL, CROSS Selects the way in which delay
sound is fed back into the effect.
(See the figures above.)
Phase L NORMAL,
INVERT
Phase of the delay sound
Phase R
HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above
which sound fed back to the effect
will be cut. If you do not want to
cut the high frequencies, set this
parameter to BYPASS.
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance # D100:0W–D0:100W Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output Level
R in
R out
L in
L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
R in
R out
L in
L out
Feedback
Feedback
Balance W
Balance D
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay