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Effects/Parameter List
Appendices
21: TIME CTRL DLY (Time Control Delay)
This effect allows you to use the MFX [CONTROL] knob on the
Synth section to control the delay time and pitch in realtime.
Lengthening the delay will lower the pitch, and shortening it will
raise the pitch.
22: 2V PCH SHIFT
(2-voice Pitch Shifter)
Shifts the pitch of the original sound. This 2-voice pitch shifter has
two pitch shifters, and can add two pitch shifted sounds to the
original sound.
23: FBK PCH SHIFT
(Feedback Pitch Shifter)
This allows the pitch shifted sound to be fed back into the effect.
24: REVERB
Adds reverberation to the sound, simulating an acoustic space.
Parameter Value Explanation
Delay # 200–1000 ms Adjusts the delay time from the di-
rect sound until the delay sound is
heard.
Accel 0–15 Adjusts the time over which the
Delay Time will change from the
current setting to a newly specified
setting.
The rate of change for the Delay
Time directly affects the rate of
pitch change.
Feedback # -98–+98% Adjusts the proportion of the delay
sound that is fed back into the ef-
fect. Negative (-) settings will in-
vert the phase.
HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above
which sound fed back to the effect
will be cut. If you do not want to
cut the high frequencies, set this
parameter to BYPASS.
Pan L64–63R Stereo location of the delay sound
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance D100:0W–D0:100W Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output Level
Parameter Value Explanation
Coarse A #1 -24–+12 semi Adjusts the pitch of Pitch Shift A in
semitone steps.
Fine A #1 -100–+100 cent Adjusts the pitch of Pitch Shift A in
2-cent steps.
Pan A L64–63R Stereo location of the Pitch Shift A
sound
PreDelayA 0.0–500 ms Adjusts the delay time from the di-
rect sound until the Pitch Shift A
sound is heard.
Coarse B #2 -24–+12 semi Settings of the Pitch Shift B sound
The parameters are the same as
for the Pitch Shift A sound.
Fine B #2 -100–+100 cent
Pan B L64–63R
PreDelayB 0.0–500.0 ms
Mode 1, 2, 3, 4, 5 Setting a higher value for this pa-
rameter will result in slower re-
sponse, but steadier pitch.
Level Bal A100:0B–A0:100B Volume balance between the Pitch
Shift A and Pitch Shift B sounds
Balance D100:0W–D0:100W Volume balance between the direct
sound (D) and the pitch shifted
sound (W)
Level 0–127 Output Level
Parameter Value Explanation
Coarse #1 -24–+12 semi Adjusts the pitch of the pitch shift-
ed sound in semitone steps.
Fine #1 -100–+100 cent Adjusts the pitch of the pitch shift-
ed sound in 2-cent steps.
Feedback # -98–+98% Adjusts the proportion of the pitch
shifted sound that is fed back into
the effect. Negative (-) settings will
invert the phase.
Pre Delay 0.0–500.0 ms Adjusts the delay time from the di-
rect sound until the pitch shifted
sound is heard.
Mode 1, 2, 3, 4, 5 Setting a higher value for this pa-
rameter will result in slower re-
sponse, but steadier pitch.
Pan L64–63R Stereo location of the pitch shifted
sound
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance D100:0W–D0:100W Volume balance between the direct
sound (D) and the pitch shifted
sound (W)
Level 0–127 Output Level
Parameter Value Explanation
Type ROOM1, ROOM2,
STAGE1, STAGE2,
HALL1, HALL2
Type of reverb
ROOM1: dense reverb with
short decay
ROOM2: sparse reverb with
short decay
STAGE1: reverb with greater
late reverberation
STAGE2: reverb with strong
early reflections
HALL1: reverb with clear rever-
berance
HALL2: reverb with rich rever-
berance
Pre Delay 0.0–100.0 ms Adjusts the delay time from the di-
rect sound until the reverb sound
is heard.
Time # 0–127 Time length of reverberation
HF Damp 200–8000 Hz,
BYPASS
Adjusts the frequency above
which the reverberant sound will
be cut.
As the frequency is set lower,
more of the high frequencies
will be cut, resulting in a softer
and more muted reverberance.
If you do not want to cut the
high frequencies, set this pa-
rameter to BYPASS.
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance # D100:0W–D0:100W Volume balance between the direct
sound (D) and the reverb sound
(W)
Level 0–127 Output Level