Filter
Top Products
MFX types and parameters
100
r
VIMA JM-5
47. Speaker Sim
Simulates the speaker type and mic settings used to record the
speaker sound.
●
Speaker Type—Select the type of speaker. The specifications of
each type are as follows. The speaker column indicates the
diameter of each speaker unit (in inches) and the number of
units.
●
Mic Setting (1, 2, 3)—Adjusts the location of the mic that is
recording the sound of the speaker. This can be adjusted in
three steps, with the mic becoming more distant in the order of
1, 2 and 3.
●
Mic Level (0~127)—Volume of the microphone.
●
Direct Level (0~127)—Volume of the direct sound.
●
Level (0~127)—Output level.
48. Step Phaser
The phaser effect will be varied gradually.
●
Phaser Mode (4-Stage, 8-Stage, 12-Stage)—Number of stages in
the phaser.
●
Phaser Manual (0~127)—Adjusts the basic frequency from which
the sound will be modulated.
●
Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the modulation rate should be
synchronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a speed (Hz) or a note value.
●
Step Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modulation
speed.
●
Step Rate [note] (musical notes)—Rate parameters can be set as
a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
●
Depth (0~127)—Depth of modulation.
●
Polarity (Inverse, Synchro)—Selects whether the left and right
phase of the modulation will be the same or the opposite.
INVERSE: The left and right phase will be opposite. When using
a mono source, this spreads the sound. SYNCHRO: The left and
right phase will be the same. Select this when inputting a stereo
source
●
Resonance (0~127)—Amount of feedback.
●
Cross Feedback (–98%~0~+98%)—Adjusts the proportion of the
phaser sound that is fed back into the effect. Negative (–) set-
tings will invert the phase.
●
Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the step rate should be synchro-
nized to the Arranger or Recorder tempo. Depending on your
choice, the setting range of the following parameter refers to a
speed (Hz) or a note value.
●
Step Rate [Hz] (0.10~20.00Hz)—Rate of the step-wise change in
the phaser effect.
●
Step Rate [note] (Musical Notes)—Rate parameters can be set as
a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
●
Mix Level (0~127)—Level of the phase-shifted sound.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
range.
●
Level (0~127)—Output level.
49. MLT Phaser
Extremely high settings of the phase difference produce a
deep phaser effect.
●
Phaser Mode (4-stage, 8-stage, 12-stage, 16-stage, 20-stage, 24-
stage)—Number of stages in the phaser.
●
Phaser Manual (0~127)—Adjusts the basic frequency from which
the sound will be modulated.
●
Rate [sync] (Hz, Note)—Use this parameter to specify whether
(“Note”) or not (“Hz”) the modulation rate should be synchro-
nized to the Arranger or Recorder tempo. Depending on your
choice, the setting range of the following parameter refers to a
speed (Hz) or a note value.
●
Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modulation speed.
●
Rate [note] (musical notes)—Rate parameters can be set as a
note-value of a tempo if you set the “Sync” parameter above to
“Note”. Specify the value of the desired note.
●
Depth (0~127)—Depth of modulation.
●
Resonance (0~127)—Amount of feedback.
●
Mix Level (0~127)—Level of the phase-shifted sound.
●
Panpot (L64~0~63R)—Stereo location of the output sound. This
is a mono effect that combines incoming signals. You can, how-
ever, place the processed signal anywhere between the left and
right channels.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
range.
●
Level (0~127)—Output level.
50. INF Phaser
A phaser that continues raising/lowering the frequency at
which the sound is modulated.
●
Mode (1, 2, 3, 4)—Higher values will produce a deeper phaser
effect.
●
Speed (–100~100)—Speed at which to raise or lower the fre-
quency at which the sound is modulated (+: upward/–: down-
ward).
●
Resonance (0~127)—Amount of feedback.
●
Mix Level (0~127)—Level of the phase-shifted sound.
●
Panpot (L64~0~63R)—Stereo location of the output sound. This
is a mono effect that combines incoming signals. You can, how-
ever, place the processed signal anywhere between the left and
right channels.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
range.
●
Level (0~127)—Output level.
51. Ring Modul
Ring Modulator is an effect which applies amplitude modula-
tion (AM) to the input signal, producing bell-like sounds. You
can also change the modulation frequency according to the
volume of the sound input to the effects device.
●
Frequency (0~127)—Sets the frequency at which modulation
will be applied.
●
Sens (0~127)—Sets the amount of frequency modulation
applied.
●
Polarity (Up, Down)—Determines whether the frequency modu-
lation moves towards higher frequencies (UP) or lower frequen-
cies (DOWN).
●
EQ Low Gain—Adjust the low frequency gain (amount of boost
or cut). Positive (+) settings will emphasize (boost) the low fre-
quency range.
●
EQ High Gain—Adjust the high frequency gain (amount of
boost or cut). Positive (+) settings emphasize (boost) the high
frequency range.
Type Cabinet Speaker Microphone
Small 1 small open-back enclosure 10 dynamic mic
Small 2 small open-back enclosure 10 dynamic mic
Middle open back enclosure 12 x 1 dynamic mic
JC-120 open back enclosure 12 x 2 dynamic mic
Built In 1 open back enclosure 12 x 2 dynamic mic
Built In 2 open back enclosure 12 x 2 condenser mic
Built In 3 open back enclosure 12 x 2 condenser mic
Built In 4 open back enclosure 12 x 2 condenser mic
Built In 5 open back enclosure 12 x 2 condenser mic
BG Stack 1 sealed enclosure 12 x 4 condenser mic
BG Stack 2 large sealed enclosure 12 x 4 condenser mic
MS Stack 1 large sealed enclosure 12 x 4 condenser mic
MS Stack 2 large sealed enclosure 12 x 4 condenser mic
Metal Stk large double stack 12 x 4 condenser mic
2-STACK large sealed enclosure 12 x 4 condenser mic
3-STACK large sealed enclosure 12 x 4 condenser mic
JM-5_US.book Page 100 Tuesday, December 14, 2010 10:29 AM