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MFX types and parameters
102
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VIMA JM-5
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Woofer Trans Down (0~127)—Adjusts the rate at which the
woofer rotation slows down when the rotation is switched from
Fast to Slow.
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Woofer Level (0~127)—Volume of the woofer.
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Tweeter Slow Speed (0.05~10.0Hz)—Low-speed rotation speed
of the tweeter.
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Tweeter Fast Speed (0.05~10.0Hz)—High-speed rotation speed
of the tweeter.
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Tweeter Trans Up (0~127)—Adjusts the rate at which the
tweeter rotation speeds up when the rotation is switched from
Slow to Fast.
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Tweeter Trans Down (0~127)—Adjusts the rate at which the
tweeter rotation slows down when the rotation is switched
from Fast to Slow.
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Tweeter Level (0~127)—Volume of the tweeter.
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Spread (0~10)—Sets the rotary speaker stereo image. The higher
the value set, the wider the sound is spread out.
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EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
range.
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EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
range.
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Level (0~127)—Output level.
58. 3D Chorus
This applies a 3D effect to the chorus sound. The chorus sound
will be positioned 90 degrees left and 90 degrees right.
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Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is used.
LPF: cuts the frequency range above the Cutoff value. HPF: cuts
the frequency range below the Cutoff value.
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Cutoff Frequency (200~8000Hz)—Basic frequency of the filter.
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Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the
incoming direct signal and the moment when the chorus starts
working.
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Rate [sync] (Hz, Note)—Use this parameter to specify whether
(“Note”) or not (“Hz”) the modulation rate should be synchro-
nized to the Arranger or Recorder tempo. Depending on your
choice, the setting range of the following parameter refers to a
speed (Hz) or a note value.
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Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
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Rate [note] (musical notes)—Rate parameters can be set as a
note-value of a tempo if you set the “Sync” parameter above to
“Note”. Specify the value of the desired note.
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Chorus Depth (0~127)—Modulation intensity.
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Phase (0~180 deg)—Spatial spread of the sound.
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Output Mode (Speaker, Phones)—Adjusts the method that will
be used to hear the sound that is output to the OUTPUT jacks.
The optimal 3D effect will be achieved if you select SPEAKER
when using speakers or PHONES when using headphones.
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EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
range.
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EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
range.
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Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
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Level (0~127)—Output level.
59. 3D Flanger
This applies a 3D effect to the flanger sound. The flanger
sound will be positioned 90 degrees left and 90 degrees right.
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Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is used.
LPF: cuts the frequency range above the Cutoff value. HPF: cuts
the frequency range below the Cutoff value.
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Cutoff Frequency (200~8000Hz)—Basic frequency of the filter.
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Pre Delay (0.0~100.0ms)—Adjusts the delay time from when the
direct sound begins until the flanger sound is heard.
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Rate [sync] (Hz, Note)—Use this parameter to specify whether
(“Note”) or not (“Hz”) the modulation rate should be synchro-
nized to the Arranger or Recorder tempo. Depending on your
choice, the setting range of the following parameter refers to a
speed (Hz) or a note value.
●
Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modulation speed.
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Rate [note] (musical notes)—Rate parameters can be set as a
note-value of a tempo if you set the “Sync” parameter above to
“Note”. Specify the value of the desired note.
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Depth (0~127)—Depth of modulation.
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Phase (0~180 deg)—Spatial spread of the sound.
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Feedback (–98%~0~+98%)—Adjusts the proportion of the
flanger sound that is fed back into the effect. Negative (–) set-
tings will invert the phase.
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Output Mode (Speaker, Phones)—Adjusts the method that will
be used to hear the sound that is output to the OUTPUT jacks.
The optimal 3D effect will be achieved if you select SPEAKER
when using speakers or PHONES when using headphones.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
range.
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Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
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Level (0~127)—Output level.
60. 3D Step Flgr
This applies a 3D effect to the step flanger sound. The flanger
sound will be positioned 90 degrees left and 90 degrees right.
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Filter Type (OFF, LPF, HPF)—Type of filter. OFF: no filter is used.
LPF: cuts the frequency range above the Cutoff value. HPF: cuts
the frequency range below the Cutoff value.
●
Cutoff Frequency (200~8000Hz)—Basic frequency of the filter.
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Pre Delay (0.0~100.0ms)—Adjusts the delay time from when the
direct sound begins until the flanger sound is heard.
●
Rate [sync] (Hz, Note)—Use this parameter to specify whether
(“Note”) or not (“Hz”) the modulation rate should be synchro-
nized to the Arranger or Recorder tempo. Depending on your
choice, the setting range of the following parameter refers to a
speed (Hz) or a note value.
●
Rate [Hz] (0.05~10.00Hz)—Frequency, i.e. modulation speed.
●
Rate [note] (musical notes)—Rate parameters can be set as a
note-value of a tempo if you set the “Sync” parameter above to
“Note”. Specify the value of the desired note.
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Depth (0~127)—Depth of modulation.
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Phase (0~180 deg)—Spatial spread of the sound.
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Feedback (–98%~0~+98%)—Adjusts the proportion of the
flanger sound that is fed back into the effect. Negative (–) set-
tings will invert the phase.
●
Step Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the step rate should be synchro-
nized to the Arranger or Recorder tempo. Depending on your
choice, the setting range of the following parameter refers to a
speed (Hz) or a note value.
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Step Rate [Hz] (0.10~20.00Hz)—Rate (period) of pitch change.
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Step Rate [note] (musical notes)—Rate parameters can be set as
a note-value of a tempo if you set the “Sync” parameter above
to “Note”. Specify the value of the desired note.
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Output Mode (Speaker, Phones)—Adjusts the method that will
be used to hear the sound that is output to the OUTPUT jacks.
The optimal 3D effect will be achieved if you select SPEAKER
when using speakers or PHONES when using headphones.
●
EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
range.
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Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
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Level (0~127)—Output level.
61. Band Chorus
A chorus effect that lets you apply an effect independently to
the low-frequency and high-frequency ranges.
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Split Frequency (200~8000Hz)—Frequency at which the low and
high ranges will be divided.
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Low Pre Delay (0.0~100.0ms)—Delay time from when the origi-
nal sound is heard to when the low-range chorus sound is
heard.
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Low Rate [sync] (Hz, Note)—Use this parameter to specify
whether (“Note”) or not (“Hz”) the low modulation rate should
be synchronized to the Arranger or Recorder tempo. Depending
on your choice, the setting range of the following parameter
refers to a speed (Hz) or a note value.
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Low Rate [Hz] (0.05~10.00Hz)—Rate at which the low-range
chorus sound is modulated.
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