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VIMA JM-5
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Delay 1 Time [msec] (0~1300ms)—Delay time from when sound
is input to delay 1 until the delay sound is heard.
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Delay 1 Time [note] (musical notes)—Delay times can be set as a
note-value of a tempo, if you set the “Sync” parameter above to
“Note”. Specify the value of the desired note.
●
Delay 1 Feedback (–98%~0~+98%)—Proportion of the delay
sound that is to be returned to the input of delay 1 (negative
values invert the phase).
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Delay 1 HF Damp (200~8000Hz, Bypass)—Frequency at which
the high-frequency content of the delayed sound of delay 1 will
be cut (BYPASS: no cut).
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Delay 2 Time [sync] (msec, Note)—Use this parameter to specify
whether (“Note”) or not (“msec”) the delay 2 time should be
synchronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a time (msec) or a note value.
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Delay 2 Time [msec] (0~1300ms)—Delay time from when sound
is input to delay 2 until the delay sound is heard.
●
Delay 2 Time [note] (musical notes)—Delay times can be set as a
note-value of a tempo, if you set the “Sync” parameter above to
“Note”. Specify the value of the desired note.
●
Delay 2 Feedback (–98%~0~+98%)—Proportion of the delay
sound that is to be returned to the input of delay 2 (negative
values invert the phase).
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Delay 2 HF Damp (200~8000Hz, Bypass)—Frequency at which
the high-frequency content of the delayed sound of delay 2 will
be cut (BYPASS: no cut).
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Panpot (L64~0~63R)—Stereo location of the output sound. This
is a mono effect that combines incoming signals. You can, how-
ever, place the processed signal anywhere between the left and
right channels.
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EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
range.
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EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
range.
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Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
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Level (0~127)—Output level.
70. MLT Tap DLY
This effect provides four delays. Each of the Delay Time param-
eters can be set to a note length based on the selected tempo.
You can also set the panning and level of each delay sound.
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Delay Time 1~4 [sync] (msec, Note)—Use this parameter to spec-
ify whether (“Note”) or not (“msec”) the delay time should be
synchronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a time or a note value.
●
Delay 1~4 Time [msec] (0~2600ms)—Adjusts the time until
Delay 1~4 are heard.
●
Delay 1~4 Time [note] (musical notes)—Delay times can be set
as a note-value of a tempo, if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
●
Delay 1 Feedback (–98%~0~+98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
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HF Damp (200~8000Hz, Bypass)—Adjusts the frequency above
which sound fed back to the effect is filtered out. If you don’t
want to filter out any high frequencies, set this parameter to
BYPASS.
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Delay 1~4 Panpot (L64~0~63R)—Stereo location of Delays 1~4.
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Delay 1~4 Level (0~127)—Output level of Delays 1~4.
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EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
range.
●
EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
range.
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Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
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Level (0~127)—Output level.
71. Reverse DLY
This is a reverse delay that adds a reversed and delayed sound
to the input sound. A tap delay is connected immediately after
the reverse delay.
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Threshold (0~127)—Volume at which the reverse delay will
begin to be applied.
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Rev Delay Time [sync] (msec, Note)—Use this parameter to spec-
ify whether (“Note”) or not (“msec”) the reverse delay time
should be synchronized to the Arranger or Recorder tempo.
Depending on your choice, the setting range of the following
parameter refers to a time (msec) or a note value.
●
Rev Delay Time [msec] (0~1300ms)—Delay time from when
sound is input into the reverse delay until the delay sound is
heard.
●
Rev Delay Time [note] (musical notes)—Delay times can be set
as a note-value of a tempo, if you set the “Sync” parameter
above to “Note”. Specify the value of the desired note.
●
Rev Delay Feedback (–98%~0~+98%)—Proportion of the delay
sound that is to be returned to the input of the reverse delay
(negative values invert the phase)
●
Rev Delay HF Damp (200~8000Hz, Bypass)—Frequency at which
the high-frequency content of the reverse-delayed sound will be
cut (BYPASS: no cut).
●
Rev Delay Panpot (L64~0~63R)—Panning of the reverse delay
sound.
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Rev Delay Level (0~127)—Volume of the reverse delay sound.
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Delay 1 Time [sync] (msec, Note)
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Delay 2 Time [sync] (msec, Note)
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Delay 3 Time [sync] (msec, Note)—Use this parameter to specify
whether (“Note”) or not (“msec”) the delay time should be syn-
chronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a time or a note value.
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Delay 1 Time [msec] (0~1300ms)
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Delay 2 Time [msec] (0~1300ms)
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Delay 3 Time [msec] (0~1300ms)—Adjusts the time until the
delay is heard.
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Delay 1 Time [note] (musical notes)
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Delay 2 Time [note] (musical notes)
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Delay 3 Time [note] (musical notes)—Delay times can be set as a
note-value of a tempo, if you set the “Sync” parameter above to
“Note”. Specify the value of the desired note.
●
Delay 3 Feedback (–98%~0~+98%)—Proportion of the delay
sound that is to be returned to the input of the tap delay (nega-
tive values invert the phase).
●
Delay HF Damp (200~8000Hz, Bypass)—Frequency at which the
low-frequency content of the tap delay sound will be cut
(BYPASS: no cut).
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Delay 1 Panpot (L64~0~63R)
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Delay 2 Panpot (L64~0~63R)—Panning of the tap delay sounds.
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Delay 1 Level (0~127)
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Delay 2 Level (0~127)—Volume of the tap delay sounds.
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EQ Low Gain (–15dB~0~15dB)—Gain of the low frequency
range.
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EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
range.
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Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
72. Shuffle DLY
Adds a shuffle to the delay sound, giving the sound a bouncy
delay effect with a swing feel.
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Delay Time [sync] (msec, Note)—Use this parameter to specify
whether (“Note”) or not (“msec”) the delay time should be syn-
chronized to the Arranger or Recorder tempo. Depending on
your choice, the setting range of the following parameter refers
to a time or a note value.
●
Delay Time [msec] (0~2600ms)—Adjusts the time until the delay
is heard.
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Delay Time [note] (Musical Notes)—Delay times can be set as a
note-value of a tempo, if you set the “Sync” parameter above to
“Note”. Specify the value of the desired note.
JM-5_US.book Page 105 Tuesday, December 14, 2010 10:29 AM