Roland JM-5 DJ Equipment User Manual


  Open as PDF
of 116
 
VIMA JM-5
r
97
28. OD‰ Flanger
This effect connects an Overdrive and a Flanger in series.
●
Overdrive Drive (0~127)—Degree of distortion. Also changes
the volume.
●
Overdrive Panpot (L64~0~63R)—Stereo location of the over-
drive sound.
●
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
●
Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
●
Flanger Depth (0~127)—Modulation intensity.
●
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
●
Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the flanger sound (W).
●
Level (0~127)—Output level.
29. OD‰ Delay
This effect connects an overdrive and a delay in series.
●
Overdrive Drive (0~127)—Degree of distortion. Also changes
the volume.
●
Overdrive Panpot (L64~0~63R)—Stereo location of the over-
drive sound.
●
Delay Time (0.0~500.0ms)—Adjusts the time until the delay is
heard.
●
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
●
Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the vol-
ume balance between the sound that is sent through the delay
(W) and the sound that is not sent through the delay (D).
●
Level (0~127)—Output level.
30. DST‰ Chorus
This effect connects distortion and a chorus in series.
●
Distortion Drive (0~127)—Degree of distortion. Also changes
the volume.
●
Distortion Panpot (L64~0~63R)—Stereo location of the distor-
tion sound.
●
Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the
incoming direct signal and the moment when the chorus starts
working.
●
Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
●
Chorus Depth (0~127)—Modulation intensity.
●
Chorus Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the chorus sound (W).
●
Level (0~127)—Output level.
31. DST‰ Flanger
This effect connects distortion and a flanger effect in series.
●
Distortion Drive (0~127)—Degree of distortion. Also changes
the volume.
●
Distortion Panpot (L64~0~63R)—Stereo location of the distor-
tion sound.
●
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
●
Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
●
Flanger Depth (0~127)—Modulation intensity.
●
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
●
Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the flanger sound (W).
●
Level (0~127)—Output level.
32. DST‰ Delay
This effect connects distortion and a delay effect in series.
●
Distortion Drive (0~127)—Degree of distortion. Also changes
the volume.
●
Distortion Panpot (L64~0~63R)—Stereo location of the distor-
tion sound.
●
Delay Time (0.0~500.0ms)—Adjusts the time until the delay is
heard.
●
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
●
Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the vol-
ume balance between the sound that is sent through the delay
(W) and the sound that is not sent through the delay (D).
●
Level (0~127)—Output level.
33. EH‰ Chorus
This effect connects an enhancer and a chorus in series.
●
Enhancer Sens (0~127)—Sensitivity of the enhancer.
●
Enhancer Mix Level (0~127)—Level of the overtones generated
by the enhancer.
●
Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the
incoming direct signal and the moment when the chorus starts
working.
●
Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
●
Chorus Depth (0~127)—Modulation intensity.
●
Chorus Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the chorus sound (W).
●
Level (0~127)—Output level.
34. EH‰ Flanger
This effect connects an enhancer and a flanger in series.
●
Enhancer Sens (0~127)—Sensitivity of the enhancer.
●
Enhancer Mix Level (0~127)—Level of the overtones generated
by the enhancer.
●
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
●
Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
●
Flanger Depth (0~127)—Modulation intensity.
●
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
●
Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the flanger sound (W).
●
Level (0~127)—Output level.
35. EH‰ Delay
This effect connects an enhancer and a delay in series.
●
Enhancer Sens (0~127)—Sensitivity of the enhancer.
●
Enhancer Mix Level (0~127)—Level of the overtones generated
by the enhancer.
●
Delay Time (0.0~500.0ms)—Adjusts the time until the delay is
heard.
●
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
●
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
●
Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the vol-
ume balance between the sound that is sent through the delay
(W) and the sound that is not sent through the delay (D).
●
Level (0~127)—Output level.
JM-5_US.book Page 97 Tuesday, December 14, 2010 10:29 AM
 previous next