Roland JM-5 DJ Equipment User Manual


 
MFX types and parameters
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VIMA JM-5
36. Chorus‰ DLY
This effect connects a chorus and a delay in series.
Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the
incoming direct signal and the moment when the chorus starts
working.
Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
Chorus Depth (0~127)—Modulation intensity.
Chorus Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the chorus sound (W).
Delay Time (0.0~500.0ms)—Adjusts the time until the delay is
heard.
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the vol-
ume balance between the sound that is sent through the delay
(W) and the sound that is not sent through the delay (D).
Level (0~127)—Output level.
37. Flanger‰ DLY
This effect connects a flanger and a delay in series.
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
Flanger Depth (0~127)—Modulation intensity.
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the flanger sound (W).
Delay Time (0.0~500.0ms)—Adjusts the time until the delay is
heard.
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the vol-
ume balance between the sound that is sent through the delay
(W) and the sound that is not sent through the delay (D).
Level (0~127)—Output level.
38. CHO‰ Flanger
This effect connects a chorus and a flanger in series.
Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the
incoming direct signal and the moment when the chorus starts
working.
Chorus Rate (0.05~10.0Hz)—Modulation frequency of the cho-
rus effect.
Chorus Depth (0~127)—Modulation intensity of the chorus
effect.
Chorus Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the chorus sound (W).
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
Flanger Rate (0.05~10.0Hz)—Modulation frequency of the
flanger effect.
Flanger Depth (0~127)—Modulation intensity of the flanger
effect.
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the flanger sound (W).
Level (0~127)—Output level.
39. CHO/DLY
This effect connects a chorus and a delay in parallel. (“Parallel”
means that the input signal is processed by two effects that do
not interact.)
Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the
incoming direct signal and the moment when the chorus starts
working.
Chorus Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
Chorus Depth (0~127)—Modulation intensity.
Chorus Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the chorus sound (W).
Delay Time (0.0~500.0ms)—Adjusts the time until the delay is
heard.
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the vol-
ume balance between the sound that is sent through the delay
(W) and the sound that is not sent through the delay (D).
Level (0~127)—Output level.
40. Flanger/DLY
This effect connects a flanger and a delay in parallel.
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
Flanger Rate (0.05~10.0Hz)—Frequency, i.e. modulation speed.
Flanger Depth (0~127)—Modulation intensity.
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the flanger sound (W).
Delay Time (0.0~500.0ms)—Adjusts the time until the delay is
heard.
Delay Feedback (–98%~0~98%)—Adjusts the amount of the
delay sound that’s fed back into the effect. Negative (–) settings
invert the phase.
Delay HF Damp (200~8000Hz, Bypass)—Adjusts the frequency
above which sound fed back to the effect is filtered out. If you
don’t want to filter out any high frequencies, set this parameter
to BYPASS.
Delay Balance (D100:0W, D50:50W, D0:100W)—Adjusts the vol-
ume balance between the sound that is sent through the delay
(W) and the sound that is not sent through the delay (D).
Level (0~127)—Output level.
41. CHO/Flanger
This effect connects a chorus and a flanger in parallel.
Chorus Pre Delay (0.0~100.0ms)—Adjusts the delay between the
incoming direct signal and the moment when the chorus starts
working.
Chorus Rate (0.05~10.0Hz)—Modulation frequency of the cho-
rus effect.
Chorus Depth (0~127)—Modulation intensity of the chorus
effect.
Chorus Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the chorus sound (W).
Flanger Pre Delay (0.0~100.0ms)—Adjusts the delay time from
when the direct sound begins until the flanger sound is heard.
Flanger Rate (0.05~10.0Hz)—Modulation frequency of the
flanger effect.
Flanger Depth (0~127)—Modulation intensity of the flanger
effect.
Flanger Feedback (–98%~0~98%)—Adjusts the proportion of
the flanger sound that is fed back into the effect. Negative (–)
settings will invert the phase.
Flanger Balance (D100:0W, D50:50W, D0:100W)—Volume bal-
ance between the direct sound (D) and the flanger sound (W).
Level (0~127)—Output level.
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