Filter
Top Products
111
Appendices
COSM List
COSM Parameters
COSM provides 15 types. This section explains the features of each
COSM, and the functions of the parameters.
Explanations for each COSM Type are given on the following
pages.
Overdrive / Distortion OD/DS (p. 111)
Wave Shape W-SHAPE (p. 111)
Amp Simulator AMP (p. 112)
Speaker Simulator SPEAKER (p. 112)
Resonator RESONATOR (p. 112)
1st order SideBandFilter SBF1 (p. 112)
2nd order SideBandFilter SBF2 (p. 113)
Comb Filter COMB (p. 113)
Dual Filter DUAL (p. 113)
TVF TVF (p. 114)
Dynamic TVF DYN-TVF (p. 114)
Polyphonic Compressor COMP (p. 114)
Polyphonic Limiter LIMITER (p. 115)
Frequency Shifter F-SHIFT (p. 115)
Lo-Fi Processor LO-FI (p. 115)
Parameters marked by “#1”–“#4” can be selected as a destination
parameter for matrix control (Destination). These correspond as
follows.
#1: Destination CSM1/2-PRM1
#2: Destination CSM1/2-PRM2
#3: Destination CSM1/2-LFO-PRM1
#4: Destination CSM1/2-LFO-PRM2
Overdrive / Distortion
Overdrive produces a natural-sounding distortion
similar to that produced by a vacuum tube amplifier.
Distortion produces a more intense distortion than the
overdrive effect.
Wave Shape
You can use a variety of waveforms to create and
distort the sound.
Parameter Value Description
COSM Type
Drive Type OD, DS Selects whether to use over-
drive (OD) or distortion
(DS).
Output Level 0–127 Output Level
Drive
Drive #1 0–127 Degree of distortion
Drive LFO Depth
#3
-63– +63 Amount of LFO applied to
distortion
* For details on envelope settings, refer to “Making Envelope
Settings” (p. 48).
Tone
Tone #2 0–127 Tonal character
Tone KF -200– +200 Key follow setting for tone
Tone LFO Depth
#4
-63– +63 Amount of LFO applied to
tone
* For details on envelope settings, refer to “Making Envelope
Settings” (p. 48).
LFO
* For details on LFO settings, refer to “Making LFO Settings” (p.
49).
Parameter Value Description
COSM Type
Shape Type 1–6 Type of waveform
Output Level 0–127 Output Level
Drive
Drive #1 0–127 Degree of distortion
Drive LFO Depth
#3
-63– +63 Amount of LFO applied to
distortion
* For details on envelope settings, refer to “Making Envelope
Settings” (p. 48).
Tone
Tone #2 0–127 Tonal character
Tone KF -200– +200 Key follow setting for tone
Tone LFO Depth
#4
-63– +63 Amount of LFO applied to
tone
* For details on envelope settings, refer to “Making Envelope
Settings” (p. 48).
LFO
* For details on LFO settings, refer to “Making LFO Settings” (p.
49).