Filter
Top Products
131
Effects List
Appendices
29: OD/DS→Delay
(Overdrive/Distortion→Delay)
This effect connects either Overdrive or Distortion and Delay in series.
fig.MFX-29
30: Cho/Flg→Delay
(Chorus/Flanger→Delay)
This effect connects either Chorus or Flanger and Delay in series.
fig.MFX-30
Parameter Value Description
Distortion
Mode
OD, DS Selects whether to use overdrive
(OD) or distortion (DS).
Drive #1 0–127 Degree of distortion
Amp Sim Sw OFF, ON Turns the amp simulator on/off.
Amp Type SMALL,
BUILT-IN, 2-
STACK, 3-
STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack
amp
3-STACK: large triple stack amp
Distortion Level 0–127 Volume of the overdrive or dis-
tortion sound.
Delay Time 0–1300 ms, note Adjusts the delay time from the
direct sound until the delay
sound is heard.
Delay Feedback
#2
-98– +98 % Adjusts the proportion of the de-
lay sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
Low Damp Freq 50–4000 Hz Adjusts the frequency below
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the
delay sound quicker than other
bands, which makes for a clearer
delay effect.
Low Damp
Gain
-36–0 dB Degree of Low Damp
Hi Damp Freq 2000–20000 Hz Adjusts the frequency above
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first, makes
the delay sound more natural.
Hi Damp Gain -36–0 dB Degree of High Damp
Delay Level 0–127 Volume of the delay sound.
Ps Low Freq 50–4000 Hz Frequency of the low range
Ps Low Gain -15– +15 dB Gain of the low range
Ps Hi Freq 2000–20000 Hz Frequency of the high range
Ps Hi Gain -15– +15 dB Gain of the high range
2-Band
EQ
Delay
Overdrive/
Distortion
L
R
L
R
Chorus/
Flanger
Delay
2-Band
EQ
Parameter Value Description
Mod Mode CHORUS,
FLANGER
Selects whether to use chorus or
flanger.
Mod Rate #1 0.05–10.0 Hz,
note
Adjusts the speed of modulation
for the chorus or flanger.
Mod Depth 0–127 Adjusts the depth of modulation
for the chorus or flanger.
Mod Phase 0–180 deg Sets how the chorus or flanger
sound is spread.
Mod Pre Delay 0–50.0 ms Adjusts the delay time from the
direct sound until the chorus or
flanger sound is heard.
Mod Feedback -98– +98 % Adjusts the proportion of the ef-
fect sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
Xover LowFreq 50–4000 Hz Attenuates the effect in the
range below the specified fre-
quency.
Xover Low Gain -36–0 dB Specifies how greatly the low
range will be attenuated.
Xover HiFreq 2000–20000 Hz Attenuates the effect in the
range above the specified fre-
quency.
Xover Hi Gain -36–0 dB Specifies how greatly the high
range will be attenuated.
Mod Level 0–127 Volume of the chorus or flanger
sound.
Delay Time 0–1300 ms, note Adjusts the delay time from the
direct sound until the delay
sound is heard.
Delay Feedback -98– +98 % Adjusts the proportion of the de-
lay sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
Low Damp Freq 50–4000 Hz Adjusts the frequency below
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the
delay sound quicker than other
bands, which makes for a clearer
delay effect.
Low Damp
Gain
-36–0 dB Degree of Low Damp
Hi Damp Freq 2000–20000 Hz Adjusts the frequency above
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first, makes
the delay sound more natural.
Hi Damp Gain -36–0 dB Degree of High Damp
Delay Level 0–127 Volume of the delay sound.
Ps Low Freq 50–4000 Hz Frequency of the low range
Ps Low Gain -15– +15 dB Gain of the low range
Ps Hi Freq 2000–20000 Hz Frequency of the high range
Ps Hi Gain -15– +15 dB Gain of the high range