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115
COSM List
Appendices
Polyphonic Limiter
Compresses signals that exceed a specified volume
level, preventing distortion from occurring.
Frequency Shifter
By shifting the frequency relationship of the
fundamental and overtones, a human voice can be
given a “groaning” character.
Lo-Fi Processor
By changing the bit count and sample rate, this effect
recreates the Lo-Fi (Low-Fidelity) sounds of the early
digital samplers and similar machines. After the Lo-Fi
processor, a filter to change the tone is arranged in
series.
Parameter Value Description
COSM Type
Thres 0–127 Sets the volume level at
which the compression be-
gins.
Ratio 2:1, 4:1, 16:1, 100:1 Compression ratio
Attack #1 0–127 Attack time
Release #2 0–127 Release time
Output 0–127 Output Level
Parameter Value Description
Effect
Effect #1 0–127 Effect depth
Effect KF -200– +200 Key follow setting for the
effect volume
Effect LFO Depth
#3
-63– +63 Amount of LFO applied to
the effect volume
* For details on envelope settings, refer to “Making Envelope
Settings” (p. 48).
Balance
Balance #2 0–127 Volume balance between
the direct sound and the ef-
fect sound
Balance LFO
Depth
-63– +63 Amount of LFO applied to
the volume balance
* For details on envelope settings, refer to “Making Envelope
Settings” (p. 48).
LFO
* For details on LFO settings, refer to “Making LFO Settings” (p.
49).
Parameter Value Description
COSM Type
Bit Down 0–15 This setting is for reducing
the bit count.
Sample Rate
Down
Normal, 1/2, 1/4,
1/8, 1/16, 1/32
Sets the fraction of current
sampling rates to be used
for processing.
Filter
Filter #1 0–127 Cutoff frequency of the fil-
ter
Filter KF -200– +200 Key follow setting for filter
cutoff frequency
Filter LFO Depth
#3
-63– +63 Amount of LFO applied to
filter cutoff frequency
* For details on envelope settings, refer to “Making Envelope
Settings” (p. 48).
Balance
Balance #2 0–127 Volume balance between
the direct sound and the ef-
fect sound
Balance LFO
Depth
-63– +63 Amount of LFO applied to
the volume balance
LFO
* For details on LFO settings, refer to “Making LFO Settings” (p.
49).