7417 Tape Reverb 96 2,2
{DE} Back in the days when a production room meant two tape recorders and a cart machine, we sometimes added
echo by mixing the tape output of a deck with its input signal. (Sometimes this was the unintentional effect of a bad
power supply filter.) This preset emulates that effect, including the cumulative high-end loss and tape noise, tuned for
studio-deck head spacing and with selectable speed. Mono or stereo in, each output is processed separately. Truly
retro, man. Switch-able in, dual mono out.
7418 Tile Men's Room 96 2,2
[V]{R} Tight, dense echo. Use Mute Input to test echo. A tunable version of this patch is 'Empty Swimming Pool'.
Switch-able in, stereo out.
7419 Union Station Verb 96 2,2
[V]{R} Big, BIG warm room. (It's even bigger than its name, but we couldn't fit Grand Central Station in the display).
Summed in, stereo out.
75 Px - Entertainment
The effects in this bank should in general be used 100 percent ‘wet’, as they incorporate their own
mixing.
7510 Big Movie 96 2,2
{PDE} Did you ever notice how movie theaters sound like nothing else on earth? Program lets you control the room size,
speaker quality... and even add the rumbling bass notes that leak from other theaters in the cineplex. (The leakage is
actually your input, modified and delayed. But it sounds real). Stereo in, stereo out.
7511 Boom Box 96 2,2
{DEY} Simulates a cheap tape deck with plenty midrange distortion and a false bottom. `Awful' gradually restricts
bandwidth. `Pan' moves entire stereo image. Just listen to that bass, man! And that awful distortion. Includes <H-Bass>
button to make it even boomier. Stereo in, stereo out.
7512 Fake Call-in 96 2,2
{REY} Feed it two clean voice signals - one for the host, and one for the guest - and they'll turn into a complete call-in
show. Includes telephone effect on the guest mic, automatic ducking, so the host overrides the guest, and an optional
studio echo overall. It sounds okay if there's a little leakage between mics when you record, but works best when the
inputs are isolated or cleaned up in a DAW... particularly if the voices interrupt each other. Caller number four, you're
on the air.. Dual mono in, stereo out.
7513 Page Three! 96 2,2
{PE} There's a famous syndicated radio personality who likes to speed up or slow down at random while reading the
news. He's on a lot of stations, so it must be a good idea. Feed in a voice and press <Do It!> to change the pacing
when you want to, or select Automatic for totally random changes. The Drag meter indicates how much memory is left
for the voice to slow down into. When it gets full, the buffer empties and the voice speeds up. Stereo in, stereo out.
7514 Real Call-in 96 2,2
{REY} This preset is designed for use with a live mic on one input and a phone patch on the other. The program is
similar to the one in the DSP4000, but adds switch-able processing and tone controls on the phone input, along with
the automatic ducking and adjustable reverb. (You can also use it to process just the phone signal to clean up
telephone interviews.) The Eventide shouldn't be connected directly to a telephone line. You'll need a transformer,
phone patch, hybrid, or QHT coupler to provide the necessary electrical isolation. Dual mono in, stereo out.
7515 TV In Next Room 96 2,2
{PDE} There's a similarly named program in the H3000B, but this one sounds a lot more authentic. The <Tinniness>
knob cuts the lows and adds a slight pitch shift - <Distance> adds house-like reflections. It sounds most convincing at
a low volume, panned to one side. Mono in, stereo out.
7516 45 RPM Oldie 96 2,2
{DMEY} Sheer Torture. Use the sliders to adjust how badly the record was cut. Sliders adjust bandwidth, overcut
distortion and bad center-hole placement (warp). Or select a preset: AM includes some awful transmitter processing.
Amazing, what we used to listen to. Stereo in, stereo out.
The H8000 Presets Collection
Release 1.2 Page 100 of 109 12/30/2003
