6111 External Hats 96 2,2
[D]{MEY} Inputs 1&2 trigger synthetic 'hats'. Use short, sharp trigger sounds. 2 LFOs and/or envelope of sound can mod
phasers. The envelope of sound itself can mod the LFOs! Each 'hat' is output though a LP & HP filter that is modulated
by the envelope of the sound. Tweak away! 2 in, 2 completely different out. Stereo in, stereo out.
6112 FM TimbreFactory 96 0,4
{E} A four operator FM timbre generator suitable for sampling. At fund of 55Hz (A1), loops should be (1/4 samp rate)
number of samples. Each operator can be modulated by the other three operators and itself (if you're clever, you can
create any parallel or series combination you like). Each operator is sent to the Mixer. The outputs of the Mixer are
filtered. Nothing in, quad out.
6113 Heen 96 0,2
{M} Sample and hold effect. A sequence of random notes. Try playing with the sample freq and droop. Nothing in,
mono out.
6114 Jan&Jeff 96 2,2
[G]{RY} As in, Hammer and Beck. Synth will follow your input guitar line... sorta. If you don't understand it, you're too
young. Summed in, stereo out.
6115 Rise Or Fall Osc 96 0,4
{DM} A series of oscillators perpetually rises or falls. Gives you that uplifting or sinking feeling. Because of the
mechanisms involved, the program distorts upon loading (sorry!). Nothing in, mono out.
6116 Samp/Hold FM Lab 96 1,4
{MEY} A sample and hold 'circuit' is triggered by the lfo. The output from the s/h modulates an oscillator dubbed
'modulator' according to 'S/H mod'. The output from the 'modulator' Osc then modulates a 'carrier' Osc according to 'fm
mod'. The output from the 'Carrier' Osc is panned between two speakers by the S/H 'circuit'. Finally, the output from the
panner is filtered. The setup just described is repeated for both the front and rear speakers. The LFO can be triggered
to sync with music. Mono in, quad out.
6117 Timbre Factory 48 0,4
6117 Timbre Factory 96 || 0,4
Create a timbre with additive synthesis. Useful for sampling. At fund of 110Hz (A2), loops should be (1/2 samp
rate) number of samples. Try panning the harmonics. Nothing in, quad out.
62 Test Tools
Audio test tools you will always need!
6210 Audio Test Set 96 4,4
{MEY} Audio Distortion Test Set. Can be used to test the performance of the H8000 or another piece of equipment
connected between i/p and o/p. Quad in, quad out.
6211 Click Test 96 4,4
This preset is a test for clicks or pops in the various audio paths. It works by sending a known signal to its output
and then comparing the signals at its input. Depending on the routing,it can be used for internal paths only,or, with the
use of external criss-cross connectors, the digital I/O can also be tested. Testing analog I/O is not supported. Quad in,
quad out.
6212 Dig Sig Gen 4 96 0,2
{M} Full blown oscillator with modulation. Nothing in, dual mono out.
6213 Dual Scope 96 8,8
This is a stereo oscilloscope display of the input signal. Adjust the <ygain>and <xgain> controls for the best
signal. Both selected channels are summed to provide a trigger. Octal in, octal out.
6214 Phase Test 96 4,4
This preset drives four outputs with an oscillator, and then compares the (assumed looped-back) inputs against
each other. This will detect any inter-channel phase or gain errors, as well as any clicks. Due to the precision of the
comparison, it is unlikely to be useful with analog signals. Quad in, mono out.
The H8000 Presets Collection
Release 1.2 Page 88 of 109 12/30/2003
