1421 Perpetual Motion 96 2,4
{DME} Many filter lines are modulated such that you always hear rising or falling resonance. Because of the mechanisms
involved, the program distorts upon loading (sorry!). Summed in, mono out.
1422 Sample/hold 96 4,4
1423 Sample/hold8 96 8,8
{ME}(TT) Sample and hold filters. <masters>override independent channels.
1424 Sequence Wa 96 2,4
{ME}(TT) Input is summed to mono, then routed sequentially to eight bandpass filters. Use <rate> to control speed of
sequence. Note that <rate> is rate of one entire sequence of eight. Use <ypan> controls for quad effects. Summed in,
quad out.
1425 Simple Samp/Hold 96 2,2
{ME}(TT) Simple stereo Samp/Hold filter. Stereo in, stereo out.
1426 Sweep Filter 96 2,2
{ME}(TT) Simple stereo 'wa' filter. Stereo in, stereo out.
1427 Synthlike Filter 96 2,2
[GVK]{ME} This is a resonant filter much like the ones found on analog synths. CUT & Q PAGE: The cutoff frequency of the
filter can be adjusted as well as the resonance or Q. LFO PAGE: This page contains a knob to adjust the level of the
LFO signal and a knob to adjust the frequency of the wave. The 2nd page is used to adjust the waveform type and duty
cycle. ENVELOPE PAGE: This is a simple decay envelope tied to freq. cutoff. Threshold sets the input level at which it
begins to decay, Decay sets the length of the decay and Level sets the amplitude of the env signal. FLT&GAIN PAGE:
Enables a choice between lowpass or highpass mode, the order of the filter and control over the I/O gain. Stereo in,
stereo out.
1428 Tight Bandpass Mod 48 2,4
{DMEY} A very tight bandpass modulated by an LFO. Taps controls timbre. Summed in, quad out.
1429 Two Band Crossover 96 2,4
{E} Two-band crossover Stereo in, stereo hi and low bands out. Stereo in, dual stereo out.
15 Fix Tools
This bank includes presets to correct out-of-tune vocals and “Nem Whippers” created for Bob
Clearmountain, used to precisely correct pitch in vocal tracks.
1510 Auto Pitch Correct 96 2,2
[V]{P} Automatically corrects any vocal that is within half a semitone of the correct pitch. Outside of this range it will
pull to the next note. Note that this process will quantize the pitch of the signal (you do have control over the quantize
factor) so be careful, as you may loose slides and inflection. Summed in, stereo out.
1511 Clrmtn's NemWhipper 96 2,2
[V]{P} This is a pitch shifter set up to allow precise correction of out of tune notes. Each of four selectable settings
permits specifying of a maximum and minimum pitch shift limit, so the engineer can 'whip' the knob quickly to the
desired degree of correction. without fear of overshooting. Summed in, mono out.
1512 External Correct 96 2,2
[V]{P} Pitch shifter set up to enable the 'fix it in the mix' engineer to ride flat vocals with the pitch wheel of a MIDI
keyboard, modulating the shifter +/- 100 cents. Summed in, stereo out.
1513 NemWhipper Dual 96 2,2
[V]{P} This is a pitch shifter set up to allow precise correction of out-of-tune notes. Each of four selectable settings
permits specifying of a maximum and minimum pitch shift limit, so the engineer can 'whip' the knob quickly to the
desired degree of correction. without fear of overshooting.
1514 NemWhipper Stereo 96 2,2
[V]{P} This is a pitch shifter set up to allow precise correction of out-of-tune notes. Each of four selectable settings
permits specifying of a maximum and minimum pitch shift limit, so the engineer can 'whip' the knob quickly to the
desired degree of correction. without fear of overshooting.
The H8000 Presets Collection
Release 1.2 Page 39 of 109 12/30/2003
